{"id":16808,"date":"2012-10-02T23:59:23","date_gmt":"2012-10-03T04:59:23","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=16808"},"modified":"2012-10-07T19:01:20","modified_gmt":"2012-10-08T00:01:20","slug":"top-5-kc-jazz-acts","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2012\/10\/02\/top-5-kc-jazz-acts\/","title":{"rendered":"Top 5 KC Jazz Acts"},"content":{"rendered":"<p><strong>KC Jazz Connection names the top five local jazz acts<\/strong><!--more--><\/p>\n<p><em>By Lucas Homer<\/em><\/p>\n<p>So you\u2019ve checked out Jazz in the Morning, made some playlists on Spotify, and\u00a0shoot, maybe you even caught my show on Tuesday night (one can dream, right?!).\u00a0But you want more! Maybe you\u2019re just looking for a different experience on a night\u00a0out. Maybe something a little more low-key than the typical liquor-soaked saunter\u00a0down Mass. Street followed by a nice aspirin sandwich is in order. More simply (and\u00a0without my assumptions about your drinking habits), a night in KC can be a nice\u00a0change of scenery.<\/p>\n<p>Most people today\u00a0haven\u2019t gone to hear jazz in person. It may not be the orchestrated light\u00a0show with towers of amps and wailing vocals that you\u2019re used to seeing at the\u00a0Replay Lounge, but it isn\u2019t meant to be. Jazz is based around improvisation and\u00a0communication. It\u2019s about hearing the band live because you don\u2019t know exactly\u00a0what they\u2019re going to play, or how they\u2019re going to play it this time. In Kansas City\u00a0especially, it\u2019s about carrying on and moving forward a local cultural tradition. Jazz\u00a0has been a part of KC almost as long as barbecue. New York City may be the jazz\u00a0capital of the world and has an endless supply of musicians, but for its size, I would\u00a0argue Kansas City has just as much, if not more, quality jazz talent per capita. Here\u00a0are some of my favorite groups playing right now:<\/p>\n<p><a href=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2012\/10\/LJK12131.jpg\"><img decoding=\"async\" class=\"alignleft size-full wp-image-16819\" title=\"_LJK1213\" src=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2012\/10\/LJK12131.jpg\" alt=\"\" width=\"400\" height=\"233\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2012\/10\/LJK12131.jpg 400w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2012\/10\/LJK12131-300x175.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em><br \/>\n(photo of PLBB from kcjazzlark.blogspot.com)<\/em><\/p>\n<p><strong>The People\u2019s Liberation Big Band<\/strong><\/p>\n<p>Keyboardist and composer Brad Cox leads The People\u2019s Liberation Big Band\u00a0the first Sunday of each month at the recordBar in Westport. Their music is a\u00a0raucous mix of something close to Frank Zappa-meets-Charles Mingus. Outside\u00a0their regular gig at recordBar, they have made a recent tradition out of morphing\u00a0into the pit orchestra for the Owen\/Cox Dance Company\u2019s modern dance rendition\u00a0of The Nutcracker and the Mouse King. It\u2019s definitely worth your time come holiday\u00a0season. Whatever expectations you may have, please check them at the door.<\/p>\n<p><iframe src=\"http:\/\/www.youtube.com\/embed\/DkHxPTMpVq4\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<p><strong>Mark Lowrey<\/strong><\/p>\n<p>Lowrey is one of the most in-demand pianists in KC and I like him for his\u00a0incredible versatility. Trio ALL, consisting of Lowrey, Ben Leifer on bass, and<br \/>\ndrummer Zach Albetta, plays a mix of standard and original modern jazz,\u00a0with covers of contemporary music like Radiohead. In the last several years, Lowrey has\u00a0increasingly collaborated with local hip-hop artists as well,\u00a0backing up MCs with electric keyboards and a full rhythm section.<\/p>\n<p><iframe src=\"http:\/\/www.youtube.com\/embed\/vAzOcBT5Xuk\" frameborder=\"0\" width=\"420\" height=\"315\"><\/iframe><\/p>\n<p><strong>Crosscurrent<\/strong><\/p>\n<p>I have to admit, this group might not be for everybody, especially if you&#8217;re just getting into jazz. Crosscurrent dedicates\u00a0itself to the music of Lennie Tristano and his musical disciples. For someone with\u00a0a more developed jazz taste, I can\u2019t recommend this band enough. Matt Otto and\u00a0Steve Lambert are two tenor saxophonists with contrasting approaches, backed\u00a0up by pianist T.J. Martley, bassist Zach Beeson, and drummer Sam Wisman. For\u00a0relative newcomers to the jazz genre, this band\u2019s music can at times come off as dry\u00a0or academic. I include them in this list because I happen to love the music of Lennie\u00a0Tristano, and any one of the musicians in Crosscurrent is worth seeing in another\u00a0group, but bring them all together, and I\u2019ll definitely be there. <a href=\"https:\/\/crosscurrentjazz.wordpress.com\" target=\"_blank\">They have a blog, too!<\/a><\/p>\n<p><strong>Clint Ashlock\u2019s New Jazz Order Big Band<\/strong><\/p>\n<p>The New Jazz Order Big Band plays a weekly Tuesday night gig at Harling\u2019s<br \/>\nUpstairs, a second-story bar off 39th and Main. Led by trumpeter and composer\/<br \/>\narranger Clint Ashlock, this band gives you the more traditional big band sound you<br \/>\nmay be looking for. Ashlock is a workhorse, often playing the screaming-high lead<br \/>\ntrumpet parts, taking extended solos, and leading the band. Almost all the players<br \/>\nare under the age of 30 and prove to any doubters that the future of jazz in KC is in<br \/>\nextremely capable hands.<\/p>\n<p><strong>Alaturka<\/strong><\/p>\n<p>Have you considered what the fusion of jazz, tango, and traditional Turkish<br \/>\nmusic would sound like? Right, of course you haven\u2019t, because you have your head<br \/>\nscrewed on straight. But sometimes you have to say f*** it and see what happens.<\/p>\n<p>I\u2019m sure Alaturka had a very well reasoned inspiration for its creation, but I enjoy<br \/>\npretending they took my approach. In all seriousness though, you\u2019ve never heard<br \/>\nanything like Alaturka. Before he moved, darbuka (traditional Turkish drum)<br \/>\nand general hand percussion extraordinaire Sait Arat played in the group. Now<br \/>\ndrummer\/percussionist (and music director for Quixotic) Brandon Draper handles<br \/>\nthe bashing-stuff-in-rhythm duties. Otherwise, they combine the flamenco guitar<br \/>\nand oud (Mediterranean\/Middle Eastern lute) of Beau Bledsoe with upright bass<br \/>\n(Jeff Harshbarger), and tenor saxophone (Rich Wheeler). What results from the<br \/>\nmusical and cultural blender is a gift. They can go from playing up-tempo and fiery<br \/>\nrhythms immediately to a beautifully lyrical, melancholic melody. Because all of<br \/>\nthe members of this group are so busy in other musical capacities, Alaturka does<br \/>\nnot have a regular weekly or monthly gig, but when they do play, it\u2019s a trip worth<br \/>\nmaking. <a href=\"http:\/\/kcur.org\/post\/alaturka-live\" target=\"_blank\">Listen to a full show by Alaturka on KCUR&#8217;s website<\/a>.<\/p>\n<p><em>KC Jazz Connection airs every Tuesday from 8-9 p.m.\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>KC Jazz Connection names the top five local jazz acts<\/p>\n","protected":false},"author":4332,"featured_media":16818,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,48,4],"tags":[1159,1162,1161,32,150,1160,1158],"class_list":["post-16808","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured-on-kjhk","category-local-music","category-music","tag-alaturka","tag-clint-ashlocks-new-jazz-order-big-band","tag-crosscurrent","tag-kc-jazz-connection","tag-lucas-homer","tag-mark-lowrey","tag-the-peoples-liberation-big-band"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2012\/10\/LJK1213.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/16808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/4332"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=16808"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/16808\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/16818"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=16808"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=16808"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=16808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}