{"id":17309,"date":"2012-10-10T14:01:07","date_gmt":"2012-10-10T19:01:07","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=17309"},"modified":"2012-10-10T14:01:07","modified_gmt":"2012-10-10T19:01:07","slug":"chads-and-arts-10912","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2012\/10\/10\/chads-and-arts-10912\/","title":{"rendered":"Chads and Arts 10\/9\/12"},"content":{"rendered":"

AMERICA NUMBER ONE<\/strong><\/p>\n

<\/p>\n

Radio 200 Charts<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Rank<\/strong><\/td>\nArtist<\/strong><\/td>\nRecording<\/strong><\/td>\nLabel<\/strong><\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nDAN DEACON<\/a><\/td>\nAmerica<\/a><\/td>\nDomino<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nGRIZZLY BEAR<\/a><\/td>\nShields<\/a><\/td>\nWarp<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nFLYING LOTUS<\/a><\/td>\nUntil The Quiet Comes<\/a><\/td>\nWarp<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nDINOSAUR JR.<\/a><\/td>\nI Bet On Sky<\/a><\/td>\nJagjaguwar<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nDAVID BYRNE AND ST. VINCENT<\/a><\/td>\nLove This Giant<\/a><\/td>\n4AD<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nTHE XX<\/a><\/td>\nCoexist<\/a><\/td>\nXL<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nBLOC PARTY<\/a><\/td>\nFour<\/a><\/td>\nFrenchkiss<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nGOLDEN BOY<\/a><\/td>\nBlue Swan Orchestra<\/a><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nTHEE OH SEES<\/a><\/td>\nPutrifiers II<\/a><\/td>\nIn The Red<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nDEERHOOF<\/a><\/td>\nBreakup Song<\/a><\/td>\nPolyvinyl<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nDJANGO DJANGO<\/a><\/td>\nDjango Django<\/a><\/td>\nRibbon<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nANIMAL COLLECTIVE<\/a><\/td>\nCentipede Hz<\/a><\/td>\nDomino<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nHELIO SEQUENCE<\/a><\/td>\nNegotiations<\/a><\/td>\nSUB POP<\/td>\n<\/td>\n<\/tr>\n
14<\/td>\nDARKNESS<\/td>\nHot Cakes<\/td>\nWind-Up<\/td>\n<\/td>\n<\/tr>\n
15<\/td>\nBOB DYLAN<\/a><\/td>\nTempest<\/a><\/td>\nColumbia<\/td>\n<\/td>\n<\/tr>\n
16<\/td>\nWILD NOTHING<\/a><\/td>\nNocturne<\/a><\/td>\nCaptured Tracks<\/td>\n<\/td>\n<\/tr>\n
17<\/td>\nARIEL PINK’S HAUNTED GRAFFITI<\/a><\/td>\nMature Themes<\/a><\/td>\n4AD<\/td>\n<\/td>\n<\/tr>\n
18<\/td>\nTURBO FRUITS<\/td>\nButter<\/td>\nserpents and snakes<\/td>\n<\/td>\n<\/tr>\n
19<\/td>\nFANG ISLAND<\/td>\nMajor<\/td>\nSargent House<\/td>\n<\/td>\n<\/tr>\n
20<\/td>\nHEAVY<\/td>\nThe Glorious Dead<\/td>\nCounter<\/td>\n<\/td>\n<\/tr>\n
21<\/td>\nSPIDER BAGS<\/td>\nShake My Head<\/td>\nODESSA<\/td>\n<\/td>\n<\/tr>\n
22<\/td>\nANTIBALAS<\/td>\nAntibalas<\/td>\nDaptone<\/td>\n<\/td>\n<\/tr>\n
23<\/td>\nWOODS<\/a><\/td>\nBend Beyond<\/a><\/td>\nWoodsist<\/td>\n<\/td>\n<\/tr>\n
24<\/td>\nBIRDS AND BATTERIES<\/td>\nStray Light<\/td>\nEightmaps<\/td>\n<\/td>\n<\/tr>\n
25<\/td>\nMOON DUO<\/a><\/td>\nCircles<\/a><\/td>\nSacred Bones<\/td>\n<\/td>\n<\/tr>\n
26<\/td>\nKOKO BEWARE<\/td>\nSomething About The Summer<\/td>\nSelf-Released<\/td>\n<\/td>\n<\/tr>\n
27<\/td>\nJACK WHITE<\/td>\nBlunderbuss<\/td>\nColumbia<\/td>\n<\/td>\n<\/tr>\n
28<\/td>\nGILAD HEKSELMAN<\/td>\nHearts Wide Open<\/td>\nLe Chante du Monde<\/td>\n<\/td>\n<\/tr>\n
29<\/td>\nBI-POLAR BEAR<\/td>\nWhen Ledge Is Home<\/td>\nModern Shark<\/td>\n<\/td>\n<\/tr>\n
30<\/td>\nBILLY HART<\/td>\nAll Our Reasons<\/td>\nECM<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Hip-Hop<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Rank<\/strong><\/td>\nArtist<\/strong><\/td>\nRecording<\/strong><\/td>\nLabel<\/strong><\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nLONELY BISCUITS<\/td>\nThe Lonely Biscuits<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nBI-POLAR BEAR<\/td>\nWhen Ledge Is Home<\/td>\nModern Shark<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nDISCO AND SPENCE<\/td>\nHeatwave<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nAESOP ROCK<\/td>\nSkelethon<\/td>\nRhymesayers<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nRELIC<\/td>\nMiles To Go<\/td>\nSelf-Released<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nNOESIS<\/td>\nThe Way Things Work<\/td>\nSelf-Released<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nATHERTON<\/td>\nNo Threat<\/td>\nSelf-Released<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nDEF LETTER<\/td>\nSocial Introduction<\/td>\nSelf-Released<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nDJ KENTARO<\/td>\nContrast<\/td>\nNinja Tune<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nJJ DOOM<\/td>\nKey To The Kuffs<\/td>\nLex<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Jazz<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Rank<\/strong><\/td>\nArtist<\/strong><\/td>\nRecording<\/strong><\/td>\nLabel<\/strong><\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nGILAD HEKSELMAN<\/td>\nHearts Wide Open<\/td>\nLe Chante du Monde<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nJOHANNES MOSSINGER<\/td>\nThe New Jersey Sessions<\/td>\nIn And Out<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nBILLY HART<\/td>\nAll Our Reasons<\/td>\nECM<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nHOT CLUB OF DETROIT<\/td>\nJunction<\/td>\nMack Avenue<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nSTEVE LEHMAN TRIO<\/td>\nDialect Fluorescent<\/td>\nPi<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nCHRISTIAN SCOTT<\/td>\nChristian ATunde Adjuah<\/td>\nConcord<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nROBERT GLASPER EXPERIMENT<\/td>\nBlack Radio<\/td>\nBlue Note<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nMARCUS MILLER<\/td>\nRenaissance<\/td>\nConcord Jazz<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nPAT METHENY<\/td>\nUnity Band<\/td>\nNonesuch<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nFERENC NEMETH, JOSHUA REDMAN, KENNY WERNER, LIONEL LOUEKE<\/td>\nTriumph<\/td>\ndreamers collective<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Radio 200 Adds<\/p>\n\n\n\n\n\n\n\n\n
Rank<\/strong><\/td>\nArtist<\/strong><\/td>\nRecording<\/strong><\/td>\nLabel<\/strong><\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nFOUR TET<\/td>\nPink<\/td>\nText<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nTAME IMPALA<\/td>\nLonerism<\/td>\nModular<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nTY SEGALL<\/td>\nTwins<\/td>\nDrag City<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nLUYAS<\/td>\nAnimator<\/td>\nDead Oceans<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nHUNDRED WATERS<\/td>\nHundred Waters<\/td>\nowsla<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

AMERICA NUMBER ONE<\/p>\n","protected":false},"author":36,"featured_media":17311,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3233,15],"tags":[344,985,49,984,1209],"class_list":["post-17309","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-charts-adds","category-featured-on-kjhk","tag-alex-applegate","tag-america","tag-charts-adds","tag-dan-deacon","tag-domino-recording-company"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2012\/10\/Dan-Deacon_America_cover.jpeg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/17309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=17309"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/17309\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/17311"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=17309"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=17309"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=17309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}