{"id":18372,"date":"2012-11-06T18:58:01","date_gmt":"2012-11-07T00:58:01","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=18372"},"modified":"2012-11-07T12:03:47","modified_gmt":"2012-11-07T18:03:47","slug":"charts-adds-election-day-11612","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2012\/11\/06\/charts-adds-election-day-11612\/","title":{"rendered":"Charts &#038; Adds &#8211; Election Day (11\/6\/12)"},"content":{"rendered":"<p><strong>Tame Impala takes the most electoral spins this week.<!--more--><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><em><span style=\"text-decoration: underline;\"><strong>Radio 200<\/strong><\/span><\/em><\/p>\n<table border=\"1\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td><strong>Rank \u00a0\u00a0<\/strong><\/td>\n<td><strong>Artist \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/td>\n<td><strong>Recording \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/td>\n<td><strong>Label \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>1<\/td>\n<td>TAME IMPALA<\/td>\n<td>Lonerism<\/td>\n<td>Modular<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>2<\/td>\n<td>GRIZZLY BEAR<\/td>\n<td>Shields<\/td>\n<td>Warp<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>3<\/td>\n<td>TY SEGALL<\/td>\n<td>Twins<\/td>\n<td>Drag City<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>4<\/td>\n<td>DUM DUM GIRLS<\/td>\n<td>End Of Daze<\/td>\n<td>SUB POP<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>5<\/td>\n<td>JOHN CALE<\/td>\n<td>Shifty Adventures In Nookie Wood<\/td>\n<td>Domino<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>6<\/td>\n<td>DEERHOOF<\/td>\n<td>Breakup Song<\/td>\n<td>Polyvinyl<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>7<\/td>\n<td>MOUNTAIN GOATS<\/td>\n<td>Transcendental Youth<\/td>\n<td>Merge<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>8<\/td>\n<td>WOODS<\/td>\n<td>Bend Beyond<\/td>\n<td>Woodsist<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>9<\/td>\n<td>HELIO SEQUENCE<\/td>\n<td>Negotiations<\/td>\n<td>SUB POP<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>10<\/td>\n<td>BLACK MOTH SUPER RAINBOW<\/td>\n<td>Cobra Juicy<\/td>\n<td>Rad Cult<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>11<\/td>\n<td>FLYING LOTUS<\/td>\n<td>Until The Quiet Comes<\/td>\n<td>Warp<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>12<\/td>\n<td>A.C. NEWMAN<\/td>\n<td>Shut Down The Streets<\/td>\n<td>Matador<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>13<\/td>\n<td>MOON DUO<\/td>\n<td>Circles<\/td>\n<td>Sacred Bones<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>14<\/td>\n<td>BROTHER ALI<\/td>\n<td>Mourning In America And Dreaming In Color<\/td>\n<td>Rhymesayers<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>15<\/td>\n<td>SMILE SMILE<\/td>\n<td>Marry A Stranger<\/td>\n<td>Kirtland<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>16<\/td>\n<td>SWANS<\/td>\n<td>The Seer<\/td>\n<td>Young God<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>17<\/td>\n<td>THE XX<\/td>\n<td>Coexist<\/td>\n<td>XL<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>18<\/td>\n<td>RAVEONETTES<\/td>\n<td>Observator<\/td>\n<td>Vice<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>19<\/td>\n<td>DAN DEACON<\/td>\n<td>America<\/td>\n<td>Domino<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>20<\/td>\n<td>TONY CASTLES<\/td>\n<td>Sharon Stone [EP]<\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>21<\/td>\n<td>DJANGO DJANGO<\/td>\n<td>Django Django<\/td>\n<td>Ribbon<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>22<\/td>\n<td>DINOSAUR JR.<\/td>\n<td>I Bet On Sky<\/td>\n<td>Jagjaguwar<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>23<\/td>\n<td>BI-POLAR BEAR<\/td>\n<td>When Ledge Is Home<\/td>\n<td>Modern Shark<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>24<\/td>\n<td>ELLE KING<\/td>\n<td>The Elle King [EP]<\/td>\n<td>RCA<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>25<\/td>\n<td>MARCUS FOSTER<\/td>\n<td>The Last House<\/td>\n<td>big ship<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>26<\/td>\n<td>BALMORHEA<\/td>\n<td>Stranger<\/td>\n<td>Western Vinyl<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>27<\/td>\n<td>BOB DYLAN<\/td>\n<td>Tempest<\/td>\n<td>Columbia<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>28<\/td>\n<td>JON SPENCER BLUES EXPLOSION<\/td>\n<td>Meat And Bone<\/td>\n<td>Mom And Pop-Boombox<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>29<\/td>\n<td>KAKI KING<\/td>\n<td>Glow<\/td>\n<td>Velour<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>30<\/td>\n<td>PURITY RING<\/td>\n<td>Shrines<\/td>\n<td>4AD<\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p><em><span style=\"text-decoration: underline;\"><strong>Radio 200 Adds<\/strong><\/span><\/em><\/p>\n<table border=\"1\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td><strong>Rank \u00a0<\/strong><\/td>\n<td><strong>Artist \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/td>\n<td><strong>Recording \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/td>\n<td><strong>Label \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/td>\n<\/tr>\n<tr>\n<td>1<\/td>\n<td>SIC ALPS<\/td>\n<td>Sic Alps<\/td>\n<td>Drag City<\/td>\n<\/tr>\n<tr>\n<td>2<\/td>\n<td>SPYRALS<\/td>\n<td>The Spyrals<\/td>\n<td>mock<\/td>\n<\/tr>\n<tr>\n<td>3<\/td>\n<td>IL ABANICO<\/td>\n<td>Crossing Colors<\/td>\n<td>Self-Released<\/td>\n<\/tr>\n<tr>\n<td>4<\/td>\n<td>WAZU<\/td>\n<td>Robobo<\/td>\n<td>Self-Released<\/td>\n<\/tr>\n<tr>\n<td>5<\/td>\n<td>MAC DEMARCO<\/td>\n<td>2<\/td>\n<td>Captured Tracks<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p><strong><em><span style=\"text-decoration: underline;\">Hip-Hop<\/span><\/em><\/strong><\/p>\n<table border=\"1\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td><strong>Rank \u00a0<\/strong><\/td>\n<td><strong>Artist \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/td>\n<td><strong>Recording \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/td>\n<td><strong>Label \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>1<\/td>\n<td>BROTHER ALI<\/td>\n<td>Mourning In America And Dreaming In Color<\/td>\n<td>Rhymesayers<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>2<\/td>\n<td>BI-POLAR BEAR<\/td>\n<td>When Ledge Is Home<\/td>\n<td>Modern Shark<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>3<\/td>\n<td>BACKGROUND NOISE CREW<\/td>\n<td>Everybody Does This, Volume 2<\/td>\n<td>Self-Released<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>4<\/td>\n<td>LUPE FIASCO<\/td>\n<td>Lupe Fiasco&#8217;s Food And Liquor II: The Great American Rap Album, Pt. 1<\/td>\n<td>Atlantic<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>5<\/td>\n<td>P.O.S.<\/td>\n<td>We Don&#8217;t Even Live Here<\/td>\n<td>Rhymesayers<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>6<\/td>\n<td>HERBALISER<\/td>\n<td>There Were Seven<\/td>\n<td>Department H<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>7<\/td>\n<td>VISION THE KID AND TRU<\/td>\n<td>Broken Radio Love<\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>8<\/td>\n<td>RELIC<\/td>\n<td>Miles To Go<\/td>\n<td>Self-Released<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>9<\/td>\n<td>NOESIS<\/td>\n<td>The Way Things Work<\/td>\n<td>Self-Released<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>10<\/td>\n<td>LONELY BISCUITS<\/td>\n<td>The Lonely Biscuits<\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p><em><span style=\"text-decoration: underline;\"><strong>Jazz<\/strong><\/span><\/em><\/p>\n<table border=\"1\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td><strong>Rank \u00a0<\/strong><\/td>\n<td><strong>Artist \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/td>\n<td><strong>Recording \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/td>\n<td><strong>Label \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/td>\n<\/tr>\n<tr>\n<td>1<\/td>\n<td>HOT CLUB OF DETROIT<\/td>\n<td>Junction<\/td>\n<td>Mack Avenue<\/td>\n<\/tr>\n<tr>\n<td>2<\/td>\n<td>GILAD HEKSELMAN<\/td>\n<td>Hearts Wide Open<\/td>\n<td>Le Chante du Monde<\/td>\n<\/tr>\n<tr>\n<td>3<\/td>\n<td>MARCUS MILLER<\/td>\n<td>Renaissance<\/td>\n<td>Concord Jazz<\/td>\n<\/tr>\n<tr>\n<td>4<\/td>\n<td>PAT METHENY<\/td>\n<td>Unity Band<\/td>\n<td>Nonesuch<\/td>\n<\/tr>\n<tr>\n<td>5<\/td>\n<td>BRAD MEHLDAU TRIO<\/td>\n<td>Ode<\/td>\n<td>Nonesuch<\/td>\n<\/tr>\n<tr>\n<td>6<\/td>\n<td>STEVE LEHMAN TRIO<\/td>\n<td>Dialect Fluorescent<\/td>\n<td>Pi<\/td>\n<\/tr>\n<tr>\n<td>7<\/td>\n<td>BRAD MEHLDAU TRIO<\/td>\n<td>Where Do You Start<\/td>\n<td>Nonesuch<\/td>\n<\/tr>\n<tr>\n<td>8<\/td>\n<td>ESPERANZA SPALDING<\/td>\n<td>Radio Music Society<\/td>\n<td>Concord-Head&#8217;s Up International<\/td>\n<\/tr>\n<tr>\n<td>9<\/td>\n<td>CHRISTIAN SCOTT<\/td>\n<td>Christian ATunde Adjuah<\/td>\n<td>Concord<\/td>\n<\/tr>\n<tr>\n<td>10<\/td>\n<td>FERENC NEMETH, JOSHUA REDMAN,KENNY WERNER, LIONEL LOUEKE<\/td>\n<td>Triumph<\/td>\n<td>dreamers collective<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/kjhk.org\/web\/2012\/11\/06\/charts-adds-election-day-11612\/kevin-parker-results\/\" rel=\"attachment wp-att-18373\"><img decoding=\"async\" class=\"alignnone  wp-image-18373\" title=\"Kevin Parker Results\" src=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2012\/11\/Kevin-Parker-Results.jpg\" alt=\"\" width=\"663\" height=\"498\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2012\/11\/Kevin-Parker-Results.jpg 947w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2012\/11\/Kevin-Parker-Results-300x225.jpg 300w\" sizes=\"(max-width: 663px) 100vw, 663px\" \/><\/a><\/p>\n<p>Tame Impala &#8211; <em>Feels Like<\/em><em>We Only Go Backwards<\/em><\/p>\n<p><iframe src=\"http:\/\/www.youtube.com\/embed\/uYOxRXoj1pc?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tame Impala takes the most electoral spins this week.<\/p>\n","protected":false},"author":36,"featured_media":18373,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3233,15],"tags":[344,49,1285,1400,1069,1262,1264,1070,1261,513,1407],"class_list":["post-18372","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-charts-adds","category-featured-on-kjhk","tag-alex-applegate","tag-charts-adds","tag-drag-city","tag-election","tag-grizzly-bear","tag-lonerism","tag-modular","tag-shields","tag-tame-impala","tag-ty-segall","tag-warp"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2012\/11\/Kevin-Parker-Results.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/18372","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=18372"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/18372\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/18373"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=18372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=18372"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=18372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}