{"id":18720,"date":"2012-11-14T00:09:13","date_gmt":"2012-11-14T06:09:13","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=18720"},"modified":"2012-11-14T00:09:13","modified_gmt":"2012-11-14T06:09:13","slug":"chhharts-addddds-111312","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2012\/11\/14\/chhharts-addddds-111312\/","title":{"rendered":"Chhharts & Addddds 11\/13\/12"},"content":{"rendered":"

BMSR ties chart favorites Tame Impala this week!<\/strong><\/p>\n

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Radio 200<\/strong><\/span><\/em><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n<\/tr>\n
Rank<\/strong><\/td>\nArtist<\/strong><\/td>\nRecording<\/strong><\/td>\nLabel<\/strong><\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nBLACK MOTH SUPER RAINBOW<\/td>\nCobra Juicy<\/a><\/td>\nRad Cult<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nTAME IMPALA<\/td>\nLonerism<\/a><\/td>\nModular<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nTY SEGALL<\/td>\nTwins<\/a><\/td>\nDrag City<\/a><\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nGRIZZLY BEAR<\/td>\nShields<\/a><\/td>\nWarp<\/a><\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nOF MONTREAL<\/td>\nDaughter Of Cloud<\/a><\/td>\nPolyvinyl<\/a><\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nKAKI KING<\/td>\nGlow<\/a><\/td>\nVelour<\/a><\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nWOODS<\/td>\nBend Beyond<\/a><\/td>\nWoodsist<\/a><\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nVARIOUS ARTISTS<\/td>\nHighlife Time: Nigerian And Ghanaian Sound From The 1960’s And Early 70’s<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nRAVEONETTES<\/td>\nObservator<\/a><\/td>\nVice<\/a><\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nLORD HURON<\/td>\nLonesome Dreams<\/a><\/td>\nIamsound<\/a><\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nDJANGO DJANGO<\/td>\nDjango Django<\/a><\/td>\nRibbon<\/a><\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nKITTEN<\/td>\nCut It Out [EP]<\/a><\/td>\nAtlantic<\/a><\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nDUM DUM GIRLS<\/td>\nEnd Of Daze<\/a><\/td>\nSUB POP<\/a><\/td>\n<\/td>\n<\/tr>\n
14<\/td>\nTHE XX<\/td>\nCoexist<\/a><\/td>\nXL<\/a><\/td>\n<\/td>\n<\/tr>\n
15<\/td>\nSMILE SMILE<\/td>\nMarry A Stranger<\/td>\nKirtland<\/td>\n<\/td>\n<\/tr>\n
16<\/td>\nTONY CASTLES<\/td>\nSharon Stone [EP]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
17<\/td>\nMARCUS FOSTER<\/td>\nThe Last House<\/td>\nbig ship<\/td>\n<\/td>\n<\/tr>\n
18<\/td>\nJOHN CALE<\/td>\nShifty Adventures In Nookie Wood<\/a><\/td>\nDomino<\/a><\/td>\n<\/td>\n<\/tr>\n
19<\/td>\nA.C. NEWMAN<\/td>\nShut Down The Streets<\/a><\/td>\nMatador<\/a><\/td>\n<\/td>\n<\/tr>\n
20<\/td>\nFLYING LOTUS<\/td>\nUntil The Quiet Comes<\/a><\/td>\nWarp<\/a><\/td>\n<\/td>\n<\/tr>\n
21<\/td>\nMOON DUO<\/td>\nCircles<\/a><\/td>\nSacred Bones<\/a><\/td>\n<\/td>\n<\/tr>\n
22<\/td>\nHOT CLUB OF DETROIT<\/td>\nJunction<\/td>\nMack Avenue<\/td>\n<\/td>\n<\/tr>\n
23<\/td>\nMARCUS MILLER<\/td>\nRenaissance<\/td>\nConcord Jazz<\/td>\n<\/td>\n<\/tr>\n
24<\/td>\nGILAD HEKSELMAN<\/td>\nHearts Wide Open<\/td>\nLe Chante du Monde<\/td>\n<\/td>\n<\/tr>\n
25<\/td>\nJON SPENCER BLUES EXPLOSION<\/td>\nMeat And Bone<\/td>\nMom And Pop-Boombox<\/td>\n<\/td>\n<\/tr>\n
26<\/td>\nSWANS<\/td>\nThe Seer<\/td>\nYoung God<\/td>\n<\/td>\n<\/tr>\n
27<\/td>\nBLOC PARTY<\/td>\nFour<\/a><\/td>\nFrenchkiss<\/a><\/td>\n<\/td>\n<\/tr>\n
28<\/td>\nFOUR TET<\/td>\nPink<\/td>\nText<\/td>\n<\/td>\n<\/tr>\n
29<\/td>\nBRAD MEHLDAU TRIO<\/td>\nOde<\/td>\nNonesuch<\/td>\n<\/td>\n<\/tr>\n
30<\/td>\nSTARS<\/td>\nThe North<\/td>\nATO<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Radio 200 Adds<\/strong><\/span><\/em><\/p>\n\n\n\n\n\n\n\n\n\n
<\/td>\n<\/tr>\n
Rank<\/strong><\/td>\nArtist<\/strong><\/td>\nRecording<\/strong><\/td>\nLabel<\/strong><\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nGUIDED BY VOICES<\/td>\nThe Bears For Lunch<\/td>\nGBV Inc.<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nDIRTY PROJECTORS<\/td>\nAbout To Die<\/td>\nDomino<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nIO ECHO<\/td>\nIO Echo<\/td>\nIamsound<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nTITUS ANDRONICUS<\/td>\nLocal Business<\/td>\nXL<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nOF MONTREAL<\/td>\nDaughter Of Cloud<\/td>\nPolyvinyl<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Hip-Hop<\/span><\/em><\/strong><\/span><\/em><\/span><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n<\/tr>\n
Rank \u00a0\u00a0<\/strong><\/td>\nArtist \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/td>\nRecording \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/td>\nLabel \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nBROTHER ALI<\/td>\nMourning In America And Dreaming In Color<\/td>\nRhymesayers<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nBI-POLAR BEAR<\/td>\nWhen Ledge Is Home<\/td>\nModern Shark<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nBACKGROUND NOISE CREW<\/td>\nEverybody Does This, Volume 2<\/td>\nSelf-Released<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nLUPE FIASCO<\/td>\nLupe Fiasco’s Food And Liquor II: The Great American Rap Album, Pt. 1<\/td>\nAtlantic<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nP.O.S.<\/td>\nWe Don’t Even Live Here<\/td>\nRhymesayers<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nHERBALISER<\/td>\nThere Were Seven<\/td>\nDepartment H<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nVISION THE KID AND TRU<\/td>\nBroken Radio Love<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nRELIC<\/td>\nMiles To Go<\/td>\nSelf-Released<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nNOESIS<\/td>\nThe Way Things Work<\/td>\nSelf-Released<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nLONELY BISCUITS<\/td>\nThe Lonely Biscuits<\/td>\n<\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

BMSR ties chart favorites Tame Impala this week!<\/p>\n","protected":false},"author":36,"featured_media":18722,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3233,15],"tags":[1358,49,1359,1262,1261],"class_list":["post-18720","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-charts-adds","category-featured-on-kjhk","tag-black-moth-super-rainbow","tag-charts-adds","tag-cobra-juicy","tag-lonerism","tag-tame-impala"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2012\/11\/UiCRq.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/18720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=18720"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/18720\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/18722"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=18720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=18720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=18720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}