{"id":22462,"date":"2013-04-30T09:34:38","date_gmt":"2013-04-30T14:34:38","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=22462"},"modified":"2013-04-30T10:56:43","modified_gmt":"2013-04-30T15:56:43","slug":"kjhk-charts-adds-43013","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2013\/04\/30\/kjhk-charts-adds-43013\/","title":{"rendered":"KJHK Charts & Adds 4\/30\/13"},"content":{"rendered":"

Thee Oh Sees Float To The Top<\/em><\/p>\n

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Radio 200 Charts<\/em><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Rank \u00a0 \u00a0<\/b><\/td>\nArtist \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/b><\/td>\nRecording \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/b><\/td>\nLabel \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/b><\/td>\n<\/tr>\n
1<\/td>\nTHEE OH SEES<\/td>\nFloating Coffin<\/a><\/td>\nCastle Face<\/a><\/td>\n<\/tr>\n
2<\/td>\nJAMES BLAKE<\/td>\nOvergrown<\/a><\/td>\nRepublic<\/td>\n<\/tr>\n
3<\/td>\nICEAGE<\/td>\nYou’re Nothing<\/a><\/td>\nMatador<\/td>\n<\/tr>\n
4<\/td>\nHERRA TERRA<\/td>\nHyperborean<\/a><\/td>\nSelf-Released<\/td>\n<\/tr>\n
5<\/td>\nKURT VILE<\/td>\nWakin On A Pretty Daze<\/a><\/td>\nMatador<\/td>\n<\/tr>\n
6<\/td>\nWILD BELLE<\/td>\nIsles<\/a><\/td>\nColumbia<\/td>\n<\/tr>\n
7<\/td>\nMUDHONEY<\/td>\nVanishing Point<\/td>\nSUB POP<\/td>\n<\/tr>\n
8<\/td>\nFOALS<\/td>\nHoly Fire<\/a><\/td>\nWarner Brothers<\/td>\n<\/tr>\n
9<\/td>\nTHE MEN<\/td>\nNew Moon<\/td>\nSacred Bones<\/td>\n<\/tr>\n
10<\/td>\nPLEDGE<\/td>\nZombie Nation<\/td>\nSomeday<\/td>\n<\/tr>\n
11<\/td>\nTHE KNIFE<\/td>\nShaking The Habitual<\/td>\nMute<\/td>\n<\/tr>\n
12<\/td>\nYOUTH LAGOON<\/td>\nWondrous Bughouse<\/td>\nFat Possum<\/td>\n<\/tr>\n
13<\/td>\nDAVID BOWIE<\/td>\nThe Next Day<\/td>\nColumbia<\/td>\n<\/tr>\n
14<\/td>\nATOMS FOR PEACE<\/td>\nAmok<\/td>\nXL<\/td>\n<\/tr>\n
15<\/td>\nKAVINSKY<\/td>\nOutRun<\/td>\nRepublic-Casablanca<\/td>\n<\/tr>\n
16<\/td>\nPORTUGAL. THE MAN<\/td>\n“Evil Friends” [Single]<\/td>\nAtlantic<\/td>\n<\/tr>\n
17<\/td>\nHARPER SIMON<\/td>\nDivision Street<\/td>\nPias<\/td>\n<\/tr>\n
18<\/td>\nL5 *<\/td>\nL5 EP *<\/td>\n*<\/td>\n<\/tr>\n
19<\/td>\nCHANCE WATERS<\/td>\nInfinity<\/td>\nPERMANENT<\/td>\n<\/tr>\n
20<\/td>\nDEPTFORD GOTH<\/td>\nLife After Defo<\/td>\nCo-Operative<\/td>\n<\/tr>\n
21<\/td>\nJUNIP<\/td>\nJunip<\/td>\nMute<\/td>\n<\/tr>\n
22<\/td>\nQUIET HOLLERS<\/td>\nI Am The Morning<\/td>\n<\/td>\n<\/tr>\n
23<\/td>\nAPPLESEED CAST<\/td>\nIllumination Ritual<\/td>\nGraveface<\/td>\n<\/tr>\n
24<\/td>\nSHOUTING MATCHES<\/td>\nGrown Ass Man<\/td>\nMiddle West<\/td>\n<\/tr>\n
25<\/td>\nBEACON<\/td>\nThe Ways We Separate<\/td>\nGhostly<\/td>\n<\/tr>\n
26<\/td>\nPHOENIX<\/td>\nBankrupt!<\/td>\nGlassnote<\/td>\n<\/tr>\n
27<\/td>\nDEERHUNTER<\/td>\nMonomania<\/td>\n4AD<\/td>\n<\/tr>\n
28<\/td>\nVONDELPARK<\/td>\nSeabed<\/td>\n<\/td>\n<\/tr>\n
29<\/td>\nLEATHERETTE *<\/td>\nLeatherette *<\/td>\n*<\/td>\n<\/tr>\n
30<\/td>\nDJ KOZE<\/td>\nAmygdala<\/td>\nPampa<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Radio 200<\/i> Adds<\/b><\/p>\n\n\n\n\n\n\n\n\n
Rank \u00a0 \u00a0\u00a0<\/b><\/td>\nArtist \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/b><\/td>\nRecording \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/b><\/td>\nLabel \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/b><\/td>\n<\/tr>\n
1<\/td>\n!!!<\/td>\nThr!!!er<\/td>\nWarp<\/td>\n<\/tr>\n
2<\/td>\nDALE EARNHARDT JR. JR.<\/td>\nPatterns [EP]<\/td>\nWarner Brothers<\/td>\n<\/tr>\n
3<\/td>\nDISCLOSURE<\/td>\nThe Singles [EP]<\/td>\nCherrytree-Interscope<\/td>\n<\/tr>\n
4<\/td>\nDAUGHTER<\/td>\nIf You Leave<\/td>\nGlassnote<\/td>\n<\/tr>\n
5<\/td>\nTHERMALS<\/td>\nDesperate Ground<\/td>\nSaddle Creek<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n