{"id":28619,"date":"2014-03-15T13:30:07","date_gmt":"2014-03-15T18:30:07","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=28619"},"modified":"2014-03-12T19:18:24","modified_gmt":"2014-03-13T00:18:24","slug":"sly-the-family-stone-compilation","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2014\/03\/15\/sly-the-family-stone-compilation\/","title":{"rendered":"Sly &#038; the Family Stone Compilation"},"content":{"rendered":"<p>Vince Picks 5 Great Songs from\u00a0<i>Higher!<\/i><\/p>\n<p><!--more--><\/p>\n<p>1)\u00a0<strong>\u201cIf This Room Could Talk\u201d<\/strong> \u2013 Drummer Greg Errico\u2019s impossibly funky groove drives this song, which originally appeared on the band\u2019s 1967 debut album \u00a0<i>A Whole New Thing<\/i>. While much is made of Sly\u2019s early 1970s forays into funk music, the band\u2019s earliest recordings have a stronger since of melody and are funky without compromising the catchy hooks that gave the band a string of top-40 hits. The horn line gives the song its melody, and Larry Graham\u2019s rumbling bass plays it almost completely straight without any syncopations and slaps that would characterize his later playing.<\/p>\n<p>&nbsp;<\/p>\n<p>2) <strong>\u201cI Cannot Make It\u201d<\/strong> \u2013 This show showcases one of Sly &amp; the Family Stone\u2019s trademarks, its sharing of vocal duties. Sly, a criminally underrated singer, takes the soulful lead vocal while the call-and-response sections are filled in by a harmony of guitarist Freddie Stone, bassist Larry Graham, and backing vocalist Cynthia Robinson. Of note is Freddie Stone\u2019s impeccable country-soul lead guitar licks which weave in and out of Errico\u2019s bass drum and the blasting horn section. Sly\u2019s plinking keys also give the song an added rhythmic touch.<\/p>\n<p>&nbsp;<\/p>\n<p>3) <strong>\u201cFeathers\u201d<\/strong> \u2013 There are a number of very strong instrumentals in this four-disc set, and this is the strongest of them all. Freddie Stone\u2019s guitar steals the show on this previously unissued track. His playing carries an undeniable Curtis Mayfield influence as it dashes in and out and expertly toys with dynamics. Towards the second half of the song Graham\u2019s bass and Stone\u2019s guitar play off of one another while Errico\u2019s bass drum adds even more syncopated kick to this fine instrumental.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"line-height: 1.5em;\">4) <\/span><strong style=\"line-height: 1.5em;\">\u201cPressure\u201d<\/strong><span style=\"line-height: 1.5em;\"> \u2013 Sly\u2019s music could never be easily categorized. His early records were funky-soul and his later records were soulful funk, but he always had a penchant for straight top-40 pop music and even psychedelic rock. Freddie Stone\u2019s opening riff sounds much closer to Jimi Hendrix than Steve Cropper or any soul guitarist of note. This song was recorded during the sessions for the band\u2019s third album, <\/span><i style=\"line-height: 1.5em;\">Life<\/i><span style=\"line-height: 1.5em;\">, but this track was not released until the 2007 reissue. The call-and-response vocals between Sly and Rosie Stone are the highlight. It\u2019s so nice to hear Rosie\u2019s soulful rasp so prominently featured. The song fades out amidst a cacophony of weird vocal sounds that only Sly &amp; the Family Stone would think of.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>5) <strong>\u201cIn Time\u201d<\/strong> \u2013 I absolutely must include a track of latter-period Sly. This song appears on the band\u2019s 1973 album <i>Fresh<\/i>, arguably the last great record they would make. Sly\u2019s classic rhythm section of Errico and Graham have been replaced, quite admirably, by bassist Rustee Allen and 22-year-old drummer Andy Newmark. Newmark\u2019s drumming is much busier than Errico\u2019s. His open hi-hat rhythms recall the Meters\u2019 Zig Modeliste, and the tight, crisp muffle gives the song a much different feel. The melodic hooks are still present, but whereas songs like \u201cDance to the Music\u201d had a pulsating urgency, \u201cIn Time\u201d is lazier, slinkier and takes longer to get somewhere than early-period Sly &amp; the Family Stone. Nevertheless, it\u2019s guaranteed to get any dance floor moving.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Written by Vince Meserko. Tune into the Jookhouse every Saturday from 6-8pm on 90.7fm KJHK.\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vince Picks 5 Great Songs from\u00a0Higher!<\/p>\n","protected":false},"author":4332,"featured_media":28620,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-28619","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2014\/03\/sly-family-stone-higher.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/28619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/4332"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=28619"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/28619\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/28620"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=28619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=28619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=28619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}