{"id":33135,"date":"2015-02-23T09:36:58","date_gmt":"2015-02-23T15:36:58","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=33135"},"modified":"2015-06-27T10:58:09","modified_gmt":"2015-06-27T15:58:09","slug":"elvis-perkins-i-aubade","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2015\/02\/23\/elvis-perkins-i-aubade\/","title":{"rendered":"Elvis Perkins: I Aubade"},"content":{"rendered":"<p><i>i aubade<\/i>\u00a0boldly goes where very few folk artists have gone before<!--more--><\/p>\n<p>Elvis (wait for it) Perkins&#8217; <i>i aubade <\/i>is quite a captivating album.\u00a0It&#8217;s a breath of fresh air for the folk music scene in a time of oversaturation and rehashing of old ideas. Elvis Perkins has created an album that is part traditional folk music, experimental, psychedelic and worldly. This record takes the classic singer-guitarist formula the folk genre has become known for, and incorporates drums, pianos, synthesizers, mellotrons, harps, flutes, violins, glockenspiels, sitars, random waveforms, ambient field recordings, and a plethora of quaint sounds I can&#8217;t quite grasp, and blends them together to create the fantastically detailed orchestration you hear on the record.<\/p>\n<p>The album is constantly evolving as instruments fade in and out to paint their textures and timbres onto Perkins&#8217; lyrics, making for a very dynamic and listening experience filled with intricate details, complex emotions, and beautiful soundscapes.<\/p>\n<p>The artist has a knack for creating beautiful melodies as heard on &#8220;It&#8217;s now or never loves&#8221;, weaving together lush layers of vocal harmonies with very sweet guitar and pitched percussion. &#8220;I came for fire&#8221;, in contrast, creates strong tension using a cacophony of dissonant wall-of-noise that fights for control over Perkins&#8217; softer tones. \u201cAM\u201d, aptly named, features old radio samples of disc Jockeys and brass sections cleverly arranged to accompany the modern-day band. \u00a0&#8220;Hogus Pogus&#8221; introduces Western and Eastern influences as guitars, sitars and synthesizers fuse together to create hypnotic drones. \u201cAccidental Tourist\u201d is a simple lullaby, solely instrumental and composed of a Spanish guitar ensemble playing sweet, romantic melodies. The impressive breadth of the album\u2019s arrangement and production evokes a sense of grandness and ambition reminiscent of <i>Sgt. Pepper <\/i>(a significant statement indeed, but one that I stand by nonetheless)<i>, <\/i>pushing the limits of what can be accomplished with the powerful tool that is the music studio.<\/p>\n<p><i>i aubade<\/i> boldly goes where very few folk artists have gone before, and I like the direction Elvis Perkins is heading.<\/p>\n<p><b>Recommended if you like: Orval Carlos Sibelius, Pink Floyd, Alexander Tucker, Jim Croce, \u00a0The Beatles (Post-revolver), Roy Orbison, late Johnny Cash and June Carter, Tangerine Dream,\u00a0<\/b><\/p>\n<p><b>Recommended tracks: &#8220;It&#8217;s Now for Never Loves,&#8221; &#8220;The Passage of the Black Gene,&#8221; &#8220;I Came for Fire,&#8221; and &#8220;Hogus Pogus&#8221;<\/b><\/p>\n<p><strong><b>Reviewd by Mason Wheatley<\/b><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>i aubade\u00a0boldly goes where very few folk artists have gone before<\/p>\n","protected":false},"author":13,"featured_media":33180,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,3235],"tags":[2735,2737,2736],"class_list":["post-33135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","category-music-reviews","tag-elvis-perkins","tag-i-aubade","tag-mason-wheatley"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/02\/screen-shot-2014-11-18-at-3-29-24-pm.png","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/33135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=33135"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/33135\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/33180"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=33135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=33135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=33135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}