{"id":33145,"date":"2015-02-12T14:43:57","date_gmt":"2015-02-12T20:43:57","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=33145"},"modified":"2015-02-12T14:43:57","modified_gmt":"2015-02-12T20:43:57","slug":"charts-adds-020315-020915","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2015\/02\/12\/charts-adds-020315-020915\/","title":{"rendered":"Charts & Adds: 02\/03\/15 – 02\/09\/15"},"content":{"rendered":"

For a third week in a row Panda Bear is on top!<\/p>\n

<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1<\/td>\nPANDA BEAR<\/td>\nPanda Bear Meets The Grim Reaper<\/td>\nDomino<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nVIET CONG<\/td>\nViet Cong<\/td>\nJagjaguwar<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nDECEMBERISTS<\/td>\nWhat A Terrible World, What A Beautiful World<\/td>\nCapitol<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nYAWN<\/td>\nLove Chills<\/td>\nOld Flame<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nDIPLO<\/td>\nF10RIDA<\/td>\nBig Dada<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nCORNERS<\/td>\nMaxed Out On Distractions<\/td>\nLolipop<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nDODOS<\/td>\nIndivid<\/td>\nPolyvinyl<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nTWERPS<\/td>\nRange Anxiety<\/td>\nMerge<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nTY SEGALL<\/td>\nMr. Face [EP]<\/td>\nFamous Class<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nFATHER JOHN MISTY<\/td>\n“Chateau Lobby 4 (In C For Two Virgins)” [Single]<\/td>\nSub Pop<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nHEMBREE<\/td>\nNew Oasis [EP]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nLORD RAJA<\/td>\nA Constant Moth<\/td>\nGhostly International<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nSLEATER-KINNEY<\/td>\nNo Cities To Love<\/td>\nSub Pop<\/td>\n<\/td>\n<\/tr>\n
14<\/td>\nBELLE AND SEBASTIAN<\/td>\nGirls In Peacetime Want To Dance<\/td>\nMatador<\/td>\n<\/td>\n<\/tr>\n
15<\/td>\nCLOAKROOM<\/td>\nFurther Out<\/td>\nRun For Cover<\/td>\n<\/td>\n<\/tr>\n
16<\/td>\nELVIS PERKINS<\/td>\nI Aubade<\/td>\nMir Image<\/td>\n<\/td>\n<\/tr>\n
17<\/td>\nGIRLPOOL<\/td>\nGirlpool<\/td>\nWichita<\/td>\n<\/td>\n<\/tr>\n
18<\/td>\nRYAN HEMSWORTH<\/td>\nAlone For The First Time<\/td>\nLast Gang-Secret Songs<\/td>\n<\/td>\n<\/tr>\n
19<\/td>\nGUSTER<\/td>\nEvermotion<\/td>\nNettwerk<\/td>\n<\/td>\n<\/tr>\n
20<\/td>\nROYKSOPP<\/td>\nThe Inevitable End<\/td>\nCherrytree-Dog Triumph-Interscope<\/td>\n<\/td>\n<\/tr>\n
21<\/td>\nPARQUET COURTS<\/td>\nContent Nausea<\/td>\nWhat’s Your Rupture?<\/td>\n<\/td>\n<\/tr>\n
22<\/td>\nAPHEX TWIN<\/td>\nComputer Controlled Acoustic Instruments, Pt 2 [EP]<\/td>\nWarp<\/td>\n<\/td>\n<\/tr>\n
23<\/td>\nUNTIL THE RIBBON BREAKS<\/td>\nA Lesson Unlearnt<\/td>\nKobalt<\/td>\n<\/td>\n<\/tr>\n
24<\/td>\nSPRINGTIME CARNIVORE<\/td>\nSpringtime Carnivore<\/td>\nAutumn Tone<\/td>\n<\/td>\n<\/tr>\n
25<\/td>\nMAX PAIN AND THE GROOVIES<\/td>\nElectro Cosmic<\/td>\nPsych Lake City<\/td>\n<\/td>\n<\/tr>\n
26<\/td>\nT BIRD AND THE BREAKS<\/td>\nHarmonizm<\/td>\nNatch\u2019l Boogie<\/td>\n<\/td>\n<\/tr>\n
27<\/td>\nVIOLENT MAE<\/td>\nViolent Mae<\/td>\nTelegraph<\/td>\n<\/td>\n<\/tr>\n
28<\/td>\nJACK NAME<\/td>\nWeird Moons<\/td>\nCastle Face<\/td>\n<\/td>\n<\/tr>\n
29<\/td>\nTANYA TAGAQ<\/td>\nAnimism<\/td>\nSix Shooter<\/td>\n<\/td>\n<\/tr>\n
30<\/td>\nCURRENT SWELL<\/td>\nUlysses<\/td>\nNettwerk<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Top Adds:<\/p>\n\n\n\n\n\n\n\n\n
Rank<\/td>\nArtist<\/td>\nRecording<\/td>\nLabel<\/td>\nUser Supplied Version<\/td>\n<\/tr>\n
1<\/td>\nMOURN<\/td>\nMourn<\/td>\nCaptured Tracks<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nDISTRICTS<\/td>\nA Flourish And A Spoil<\/td>\nFat Possum<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nNICK NICELY<\/td>\nSpace Of A Second<\/td>\nSelf-Released<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nPUBLIC SERVICE BROADCASTING<\/td>\nThe Race For Space<\/td>\nTest Card<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nNOTWIST<\/td>\nMessier Objects<\/td>\nAlien Transistor<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

For a third week in a row Panda Bear is on top!<\/p>\n","protected":false},"author":13,"featured_media":32918,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3233,15],"tags":[49,2038,999],"class_list":["post-33145","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-charts-adds","category-featured-on-kjhk","tag-charts-adds","tag-emilie-stafford","tag-panda-bear"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/01\/pandabear_vs_tgr.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/33145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=33145"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/33145\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/32918"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=33145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=33145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=33145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}