{"id":33723,"date":"2015-04-08T10:20:47","date_gmt":"2015-04-08T15:20:47","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=33723"},"modified":"2015-04-10T14:51:48","modified_gmt":"2015-04-10T19:51:48","slug":"waxahatchee-ivy-tripp","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2015\/04\/08\/waxahatchee-ivy-tripp\/","title":{"rendered":"Waxahatchee: Ivy Tripp"},"content":{"rendered":"<p>Waxahatchee is the solo project of Katie Crutchfield. <!--more--><img decoding=\"async\" class=\"size-medium alignright wp-image-33724\" src=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/04\/61H9zrtTOFL._SY300-300x300.jpg\" alt=\"61H9zrtTOFL._SY300\" width=\"300\" height=\"300\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/04\/61H9zrtTOFL._SY300.jpg 300w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/04\/61H9zrtTOFL._SY300-150x150.jpg 150w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/04\/61H9zrtTOFL._SY300-125x125.jpg 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>It combines her southern roots, folk punk sensibilities, and lo-fi recording style to make an unique and emotional outlet for her musical talent. Ivy Tripp is her third self-recorded album, and it goes to show that pouring your emotions into your work creates something new and interesting each time.<\/p>\n<p>Her first release, American Weekend, was her most stripped down and lo-fi work with vocals packed with years of deep feelings about everything from broken dreams to pressure of getting married young. Her second and more noticed release, Cerulean Salt, was more indie pop and catchy. This third release still manages to change things up while still holding on to her the brilliant songwriting and great vocals.<\/p>\n<p>Ivy Tripp has an excellent balance of upbeat and downbeat, and minimalist and fleshed out tracks. It\u2019s refreshing. This album overall is not as sad as previous Waxahatchee work, but still conveys the truths of her life in the most intimate of ways. Each song tells a story that is very close and honest to Crutchfield.<\/p>\n<p>My favorite on the album is a tie between the single, \u201cAir,\u201d and the fourth track titled \u201cLa Loose.\u201d \u201cAir\u201d has many well-crafted layers and builds in her traditional fashion. The lyrics are wonderfully written with lines like \u201cWhen I am gone, at least I won\u2019t be thinking\u201d and \u201cWhen we are moving, we just pretend to be strangers lamenting a means to an end.\u201d \u201cLa Loose\u201d on the other end is more upbeat and catchy. The entire song uses a drum machine and a real drum kit, which is an interesting risk in my opinion. It is very minimalist with simple swelling synths throughout. It\u2019s so good.<\/p>\n<p>Two other great songs on this album are \u201c&lt;\u201d and \u201cSummer of Love.\u201d The strangely stylized \u201c&lt;\u201d doesn\u2019t sound as sad as Crutchfield is known to be capable of but when you pay attention to the lyrics it is quite sad. As the emotion heightens, the music behind becomes more and more disoriented. It\u2019s one of her most interesting songs. \u201cSummer of Love\u201d on the other hand is much more simple and folky. It\u2019s happy and fresh. It goes back to the sound of her first album with simple acoustic chords and twangy vocals.<\/p>\n<p>This album is complete and perfect. Waxahatchee will always be one of my favorite women in music because she\u2019s not afraid to take risks and let herself be exposed by her music. That takes a lot of guts.<\/p>\n<p><b> Recommended If You Like: Swearin\u2019, Bad Banana, old Liz\u00a0Phair<br \/>\nRecommended Tracks: 4 (La Loose), 8 (Air), 9 (&lt;), and 11 (Summer of Love)<br \/>\nDo Not Play: 12 (Half Moon)<br \/>\nWritten by Rachel Bennett on 04\/06\/2015 <\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Waxahatchee&#8217;s southern roots, folk punk sensibilities, and lo-fi recording style makes an unique emotional outlet for her musical talents.<\/p>\n","protected":false},"author":13,"featured_media":33724,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,181],"tags":[2914,2051,2913],"class_list":["post-33723","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured-on-kjhk","category-rock-rotation","tag-ivy-tripp","tag-rachel-bennett","tag-waxahatchee"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/04\/61H9zrtTOFL._SY300.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/33723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=33723"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/33723\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/33724"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=33723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=33723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=33723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}