{"id":37689,"date":"2015-09-29T18:37:55","date_gmt":"2015-09-29T23:37:55","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=37689"},"modified":"2017-10-24T15:43:53","modified_gmt":"2017-10-24T20:43:53","slug":"charts-n-adds-9222015-9292015","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2015\/09\/29\/charts-n-adds-9222015-9292015\/","title":{"rendered":"Charts n’ Adds: 9\/22\/2015 – 9\/29\/2015"},"content":{"rendered":"

This week, Stolen Jars’\u00a0Kept<\/em><\/a> is our number 1 album, jumping up from number 15 last week. This one is a delicate, yet hard hitting and somewhat\"DSC_3844sm\" hard to pigeon hole indie\u00a0pop album from duo Molly Grund and Cody\u00a0Fitzgerald. Number 2 goes to Dan Auerbach’s group Arcs, with their debut album Yours, Dreamily<\/a>,.\u00a0<\/i>Ratatat is sticking around for another week in the top 5, with Magnifique<\/a>\u00a0<\/i>sitting pretty at number 3. Beach House’s\u00a0Depression Cherry<\/a><\/em> has dropped down to number 4 after two weeks at the top. Rounding out the top 5 is La Luz, with\u00a0Weirdo Shrine.<\/em><\/p>\n

New to the charts this week: Fidlar’s Too<\/a><\/em>, Lianne La Havas’ Blood<\/em>, Fresh & Only’s Early Years Anthology<\/a><\/em>, and The Bad Plus Joshua Redman’s\u00a0The Bad Plus Joshua Redman<\/a>.\u00a0<\/em><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1<\/td>\nSTOLEN JARS<\/a><\/td>\nKept<\/td>\nSelf-Released<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nARCS<\/a><\/td>\nYours, Dreamily<\/td>\nNonesuch<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nRATATAT<\/a><\/td>\nMagnifique<\/td>\nXL<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nBEACH HOUSE<\/a><\/td>\nDepression Cherry<\/td>\nSub Pop<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nLA LUZ<\/a><\/td>\nWeirdo Shrine<\/td>\nHardly Art<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nFOALS<\/a><\/td>\nWhat Went Down<\/td>\nWarner<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nYO LA TENGO<\/a><\/td>\nStuff Like That There<\/td>\nMatador<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nEZTV<\/a><\/td>\nCalling Out<\/td>\nCaptured Tracks<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nBOSS MOXI<\/a><\/td>\nOddball<\/td>\nBedlam<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nDESTROYER<\/a><\/td>\nPoison Season<\/td>\nMerge<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nDERADOORIAN<\/a><\/td>\nThe Expanding Flower Planet<\/td>\nAnticon<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nPOTTY MOUTH<\/td>\nPotty Mouth EP<\/td>\nPlanet Whatever<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nTAME IMPALA<\/a><\/td>\nCurrents<\/td>\nInterscope<\/td>\n<\/td>\n<\/tr>\n
14<\/td>\nMAC DEMARCO<\/td>\nAnother One<\/td>\nCaptured Tracks<\/td>\n<\/td>\n<\/tr>\n
15<\/td>\nFIDLAR<\/a><\/td>\nToo<\/td>\nMom And Pop<\/td>\n<\/td>\n<\/tr>\n
16<\/td>\nLEON BRIDGES<\/a><\/td>\nComing Home<\/td>\nColumbia<\/td>\n<\/td>\n<\/tr>\n
17<\/td>\nVINYL WILLIAMS<\/a><\/td>\nInto<\/td>\nCompany<\/td>\n<\/td>\n<\/tr>\n
18<\/td>\nLIANNE LA HAVAS<\/td>\nBlood<\/td>\nNonesuch<\/td>\n<\/td>\n<\/tr>\n
19<\/td>\nNATHANIEL RATELIFF AND THE NIGHT SWEATS<\/a><\/td>\nNathaniel Rateliff And The Night Sweats<\/td>\nStax<\/td>\n<\/td>\n<\/tr>\n
20<\/td>\nLOU BARLOW<\/a><\/td>\nBrace The Wave<\/td>\nJoyful Noise<\/td>\n<\/td>\n<\/tr>\n
21<\/td>\nLA GUERRE<\/a><\/td>\nSapphires<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
22<\/td>\nTITUS ANDRONICUS<\/td>\nThe Most Lamentable Tragedy<\/td>\nMerge<\/td>\n<\/td>\n<\/tr>\n
23<\/td>\nHOMESHAKE<\/a><\/td>\nMidnight Snack<\/td>\nSinderlyn<\/td>\n<\/td>\n<\/tr>\n
24<\/td>\nPANDA BEAR<\/td>\nCrosswords<\/td>\nDomino<\/td>\n<\/td>\n<\/tr>\n
25<\/td>\nOSCAR<\/a><\/td>\nBeautiful Words<\/td>\nWichita<\/td>\n<\/td>\n<\/tr>\n
26<\/td>\nTHUNDERCAT<\/td>\nThe Beyond\/Where The Giants Roam<\/td>\nBrainfeeder<\/td>\n<\/td>\n<\/tr>\n
27<\/td>\nFKA TWIGS<\/a><\/td>\nM3LL155X [EP]<\/td>\nYoung Turks<\/td>\n<\/td>\n<\/tr>\n
28<\/td>\nFRESH AND ONLYS<\/a><\/td>\nEarly Years Anthology<\/td>\nCastle Face<\/td>\n<\/td>\n<\/tr>\n
29<\/td>\nCHEMICAL BROTHERS<\/a><\/td>\nBorn In The Echoes<\/td>\nAstralwerks<\/td>\n<\/td>\n<\/tr>\n
30<\/td>\nJOSHUA REDMAN AND THE BAD PLUS<\/a><\/td>\nThe Bad Plus Joshua Redman<\/td>\nNonesuch<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n

Top 5 Adds this week are purty sweet. We’ve got Blitzen Trapper, Wand, an instrumental single from Sylvan Esso’s side project Made Of Oak, Papadosio, and Dead Weather.<\/p>\n\n\n\n\n\n\n\n
1<\/td>\nBLITZEN TRAPPER<\/td>\nAll Across This Land<\/td>\nVagrant<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nWAND<\/td>\n1,000 Days<\/td>\nDrag City<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nMADE OF OAK<\/td>\n“Pinebender” [Single]<\/td>\nPartisan<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nPAPADOSIO<\/td>\nExtras In A Movie<\/td>\nSelf-Released<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nDEAD WEATHER<\/td>\nDodge And Burn<\/td>\nThird Man<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

This week, Stolen Jars’\u00a0Kept is our number 1 album, jumping up from number 15 last week. This one is a delicate, yet hard hitting and somewhat hard to pigeon hole indie\u00a0pop album from duo Molly Grund and Cody\u00a0Fitzgerald. Number 2 goes to Dan Auerbach’s group Arcs, with their debut album Yours, Dreamily,.\u00a0Ratatat is sticking around for another week in the top 5, with Magnifique\u00a0sitting pretty at number 3. Beach House’s\u00a0Depression Cherry has dropped down to number 4 after two weeks […]<\/p>\n","protected":false},"author":1637,"featured_media":37716,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3233,15,4],"tags":[3622,3433,49,3586,3393,3545],"class_list":["post-37689","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-charts-adds","category-featured-on-kjhk","category-music","tag-arcs","tag-beach-house","tag-charts-adds","tag-la-luz","tag-ratatat","tag-stolen-jars"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/09\/kept_cover_final-012.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/37689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/1637"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=37689"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/37689\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/37716"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=37689"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=37689"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=37689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}