{"id":39258,"date":"2015-11-03T15:58:17","date_gmt":"2015-11-03T21:58:17","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=39258"},"modified":"2015-11-03T15:59:49","modified_gmt":"2015-11-03T21:59:49","slug":"charts-n-adds-102715-11315","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2015\/11\/03\/charts-n-adds-102715-11315\/","title":{"rendered":"Charts n&#8217; Adds: 10\/27\/15 &#8211; 11\/3\/15"},"content":{"rendered":"<p>This week the number one spot has been taken by Neon Indian&#8217;s 3rd LP, <em>Vega Intl. Night School! \u00a0<\/em>Released by Mom+Pop Records and Transgressive Records on October 16th,\u00a0<em>Vega Intl. Night School\u00a0<\/em>has quickly <img decoding=\"async\" class=\"size-medium wp-image-39265 alignright\" src=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/11\/neon-indian-press-photo-290x300.png\" alt=\"neon-indian-press-photo\" width=\"290\" height=\"300\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/11\/neon-indian-press-photo-290x300.png 290w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/11\/neon-indian-press-photo.png 543w\" sizes=\"(max-width: 290px) 100vw, 290px\" \/>jumped into the Top 20 at the CMJ Charts and will undoubtedly continue to rise. This is a trippy and entrancing electronic album with tinges of many different sounds, from 8-bit to jungle psychedelic. Distinctly unique but hearkening to the sounds of earlier releases, Alan Palomo, the man behind Neon Indian, has\u00a0dug himself\u00a0a notable furrow in contemporary electronic sound with\u00a0<em>Vega Intl. Night School.<br \/>\n<\/em><\/p>\n<p>Following up Neon Indian on the charts is Stolen Jars, with their sophomore release\u00a0<em>Kept<\/em>. After multiple weeks at number one, it&#8217;s time for Stolen Jars to make their way off of our chart. But the sweet, complex sounds of\u00a0<em>Kept\u00a0<\/em>will surely continue to grace our airwaves even after they leave the rotation shelf. Number three on our charts this week is the symphonic and catchy\u00a0<em>No No No\u00a0<\/em>from indie rock group Beirut. Blitzen Trapper&#8217;s eighth studio release\u00a0<em>All Across This Land\u00a0<\/em>takes the number four spot, popping up from number 14 on last week&#8217;s chart. This release dips gently into lyrical nostalgia\u00a0while keeping the folk rock intensity the group is known for. Lastly, number five goes this week to a newcomer on the charts, the Belgian indie pop-rock group\u00a0Balthazar. Their third LP,\u00a0<em>Thin Walls,\u00a0<\/em>is catchy yet doesn&#8217;t lack creativity, and creates a myriad of different emotional soundscapes.<\/p>\n<p>In addition to Balthazar&#8217;s\u00a0<em>Thin Walls,<\/em>\u00a0albums new to the charts this week include Prefuse 73&#8217;s\u00a0<em>Rivington Nao Rio<\/em>, Caravan Palace&#8217;s\u00a0<em>Robot<\/em>,\u00a0U.S. Girls&#8217;\u00a0<em>Half Free<\/em>, Glassine&#8217;s\u00a0<em>No Stairway<\/em>, The Yawpers&#8217;\u00a0<em>American Man,\u00a0<\/em>Made of Oak&#8217;s\u00a0<em>Penumbra,<\/em> and Shigeto&#8217;s\u00a0<em>Intermission.<\/em><\/p>\n<table>\n<tbody>\n<tr bgcolor=\"#EEEDEE\">\n<td>1<\/td>\n<td>NEON INDIAN<\/td>\n<td>Vega Intl Night School<\/td>\n<td>Mom And Pop<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>2<\/td>\n<td>STOLEN JARS<\/td>\n<td>Kept<\/td>\n<td>Self-Released<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>3<\/td>\n<td>BEIRUT<\/td>\n<td>No No No<\/td>\n<td>4AD<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>4<\/td>\n<td>BLITZEN TRAPPER<\/td>\n<td>All Across This Land<\/td>\n<td>Vagrant<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>5<\/td>\n<td>BALTHAZAR<\/td>\n<td>Thin Walls<\/td>\n<td>Play It Again Sam<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>6<\/td>\n<td>CIRCA WAVES<\/td>\n<td>Young Chasers<\/td>\n<td>Virgin<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>7<\/td>\n<td>KURT VILE<\/td>\n<td>B&#8217;lieve I&#8217;m Goin Down&#8230;<\/td>\n<td>Matador<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>8<\/td>\n<td>ALEX G<\/td>\n<td>Beach Music<\/td>\n<td>Domino<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>9<\/td>\n<td>CHILDBIRTH<\/td>\n<td>Women&#8217;s Rights<\/td>\n<td>Suicide Squeeze<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>10<\/td>\n<td>LA GUERRE<\/td>\n<td>Sapphires<\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>11<\/td>\n<td>YOUTH LAGOON<\/td>\n<td>Savage Hills Ballroom<\/td>\n<td>Fat Possum<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>12<\/td>\n<td>WAVVES<\/td>\n<td>V<\/td>\n<td>Ghostramp-WBR<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>13<\/td>\n<td>PREFUSE 73<\/td>\n<td>Rivington Nao Rio [Expanded]<\/td>\n<td>Temporary Residence<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>14<\/td>\n<td>HOMESHAKE<\/td>\n<td>Midnight Snack<\/td>\n<td>Sinderlyn<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>15<\/td>\n<td>SMALL BLACK<\/td>\n<td>Best Blues<\/td>\n<td>Jagjaguwar<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>16<\/td>\n<td>SHEEPDOGS<\/td>\n<td>Future Nostalgia<\/td>\n<td>Dine Alone<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>17<\/td>\n<td>SHOPPING<\/td>\n<td>Why Choose<\/td>\n<td>Fat Cat<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>18<\/td>\n<td>WAND<\/td>\n<td>1,000 Days<\/td>\n<td>Drag City<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>19<\/td>\n<td>BORN RUFFIANS<\/td>\n<td>Ruff<\/td>\n<td>Yep Roc<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>20<\/td>\n<td>SHANNON AND THE CLAMS<\/td>\n<td>Gone By Dawn<\/td>\n<td>Hardly Art<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>21<\/td>\n<td>CARAVAN PALACE<\/td>\n<td>Robot<\/td>\n<td>Le Plan<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>22<\/td>\n<td>PETITE NOIR<\/td>\n<td>La Vie Est Belle\/Life Is Beautiful<\/td>\n<td>Domino<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>23<\/td>\n<td>WORLD IS A BEAUTIFUL PLACE AND I AM NO LONGER AFRAID TO DIE<\/td>\n<td>Harmlessness<\/td>\n<td>Epitaph<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>24<\/td>\n<td>HERMITUDE<\/td>\n<td>Dark Night Sweet Light<\/td>\n<td>Nettwerk<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>25<\/td>\n<td>U.S. GIRLS<\/td>\n<td>Half Free<\/td>\n<td>4AD<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>26<\/td>\n<td>MENACE BEACH<\/td>\n<td>Super Transporterreum [EP]<\/td>\n<td>Memphis Industries<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>27<\/td>\n<td>GLASSINE<\/td>\n<td>No Stairway<\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>28<\/td>\n<td>YAWPERS<\/td>\n<td>American Man<\/td>\n<td>Bloodshot<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>29<\/td>\n<td>SHIGETO<\/td>\n<td>Intermission EP<\/td>\n<td>Ghostly<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>30<\/td>\n<td>MADE OF OAK<\/td>\n<td>Penumbra [EP]<\/td>\n<td>Partisan<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<hr \/>\n<p>Our top five adds this week are, as always, delightful.<\/p>\n<table>\n<tbody>\n<tr bgcolor=\"#EEEDEE\">\n<td>1<\/td>\n<td>SHIGETO<\/td>\n<td>Intermission EP<\/td>\n<td>\u00a0Ghostly<\/td>\n<\/tr>\n<tr>\n<td>2<\/td>\n<td>KING GIZZARD AND THE LIZARD WIZARD<\/td>\n<td>Paper Mache Dream Balloon<\/td>\n<td>ATO<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>3<\/td>\n<td>MADE OF OAK<\/td>\n<td>Penumbra [EP]<\/td>\n<td>Partisan<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>4<\/td>\n<td>SPORTS<\/td>\n<td>All Of Something<\/td>\n<td>Father\/Daughter<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>5<\/td>\n<td>ROOTS MANUVA<\/td>\n<td>Bleeds<\/td>\n<td>Big Dada<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>This week the number one spot has been taken by Neon Indian&#8217;s 3rd LP, Vega Intl. Night School! \u00a0Released by Mom+Pop Records and Transgressive Records on October 16th,\u00a0Vega Intl. Night School\u00a0has quickly jumped into the Top 20 at the CMJ Charts and will undoubtedly continue to rise. This is a trippy and entrancing electronic album with tinges of many different sounds, from 8-bit to jungle psychedelic. Distinctly unique but hearkening to the sounds of earlier releases, Alan Palomo, the man [&hellip;]<\/p>\n","protected":false},"author":1637,"featured_media":39266,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3233,15,4,1],"tags":[3767,3707,3543,3766,2732,3546,2526,3873,380,3872,3874,3758,256,3545,3708,3871],"class_list":["post-39258","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-charts-adds","category-featured-on-kjhk","category-music","category-uncategorized","tag-all-across-this-land","tag-balthazar","tag-beirut","tag-blitzen-trapper","tag-kayci-lineberger","tag-kept","tag-king-gizzard-and-the-lizard-wizard","tag-made-of-oak","tag-neon-indian","tag-no-no-no","tag-roots-manuva","tag-shigeto","tag-sports-2","tag-stolen-jars","tag-thin-walls","tag-vega-intl-night-school"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/11\/Neon-Indian_Vega-intl-night-school_cover.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/39258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/1637"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=39258"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/39258\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/39266"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=39258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=39258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=39258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}