{"id":39425,"date":"2015-11-09T19:56:28","date_gmt":"2015-11-10T01:56:28","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=39425"},"modified":"2015-11-30T23:54:04","modified_gmt":"2015-12-01T05:54:04","slug":"drive-by-truckers-its-great-to-be-alive","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2015\/11\/09\/drive-by-truckers-its-great-to-be-alive\/","title":{"rendered":"Drive-By Truckers: It&#8217;s Great To Be Alive!"},"content":{"rendered":"<p><a href=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/11\/DBT-e1447122308722.jpg\"><img decoding=\"async\" class=\" wp-image-39444 alignright\" src=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/11\/DBT-300x300.jpg\" alt=\"DBT\" width=\"265\" height=\"265\" \/><\/a>The Drive-By Truckers&#8217; newest live release, <em>It&#8217;s Great To Be Alive!<\/em>, showcases a band both embracing and resisting their Southern heritage with uncommon nuance and sensitivity\u2014a hallmark\u00a0feature of the group&#8217;s nearly 20-year career made even more noticeable in a live setting as storied as San Francisco&#8217;s Fillmore Auditorium. Yes, the southern gothic imagery is plentiful, and Patterson Hood and Mike Cooley&#8217;s unaffected twang is difficult to miss, but the band&#8217;s music has always approached their Southern identities with a sophistication that belies easy stereotype or knee-jerk dismissal. Cooley and Hood, along with long-time drummer Brad Morgan and newer members Jay Gonzalez and Matt Patton, play big, brawling rock n&#8217; roll that is as heavy and punishing as their song&#8217;s subject matter.<\/p>\n<p>But don&#8217;t let the roaring guitars and bruising riffs fool you. There is an underlying sensitivity in these songs, particularly those written and sung by Cooley, that offer such contemplative turns-of-phrase that listeners quickly toss aside any reluctances they might harbor about the genre of Southern rock.<\/p>\n<p>A song like &#8220;Women Without Whiskey&#8221; seems at first glance to be yet another song about a Southern man done in by alcohol, but lyrics like &#8220;won&#8217;t you read my lips if I pull you near enough, won&#8217;t you read my fortune in the bottom of this coffee cup&#8221; suggest a more complicated\u00a0narrative\u2014a man\u00a0left directionless and in dire need of a woman&#8217;s steadying presence, an admission of vulnerability that doesn&#8217;t easily resolve itself. These are deeply flawed characters with troubled backstories that might devolve into cliche if it weren&#8217;t for the Truckers&#8217; sympathetic touches, always careful not to condescend to their subject matter but never shying away from their characters&#8217; self-destructing tendencies.<\/p>\n<p>These Southern poetics might not be fully appreciated if it wasn&#8217;t for the band&#8217;s presentation\u00a0and playing, which stomps along with a Stonesy swagger and sprawling messiness that is wonderfully and beautifully sloppy. Songs like &#8220;Marry Me,&#8221; &#8220;Gravity&#8217;s Gone,&#8221; and &#8220;Three Dimes Down&#8221; are screaming anthems, while others like Hood&#8217;s lovely Southern-soul inspired ballad &#8220;Mercy Buckets&#8221; benefit from Gonzalez&#8217;s punchy low-key horn arrangement, a lovely embellishment that recalls a Muscle Shoals recording session.<\/p>\n<p>Hood&#8217;s &#8220;Runaway Train,&#8221; a song written nearly 30 years ago, is perhaps the album&#8217;s standout; it&#8217;s singalong chorus and Cooley&#8217;s ascending guitar solo nicely transition to &#8220;A Ghost to Most,&#8221; a track from Cooley that proves his deft ear for melody and hook. While there are lots of punishing electric guitars on this album, &#8220;First Air of Autumn&#8221; sees the group embracing a softer, acoustic side, with Morgan&#8217;s light shuffle propelling Cooley&#8217;s lyrics, which are full of nostalgia, melancholy, remembrance, and misrememberance.<\/p>\n<p>These songs take awhile to unpack themselves because these characters are trying so hard to find themselves against all odds, to figure out a way of surviving, of staying afloat against gravity&#8217;s pull, to not be laid low by their vices and unholy pursuits. Over the course of a 3+ hour live album, the Truckers give their audience plenty of time to decide which of these characters deserve their sympathies and pleas for redemption. It&#8217;s this ambiguity that makes the group&#8217;s work so fulfilling and enriching. Put simply, this is a truly astonishing album, an affirmation of the band&#8217;s continued relevance and a bold, evocative declaration that, despite the whiskey, women, and heartbreak, it&#8217;s pretty great to be alive.<br \/>\n<b><br \/>\nRecommended If You Like: Lucero, The Bottle Rockets, The Hold Steady, Blitzen Trapper<\/b><\/p>\n<p><b>Recommended Tracks: Disc One: 6, 8, 9, 10 Disc Two: 4, 8, 10 Disc Three: 3, 7<\/b><\/p>\n<p><b>Do Not Play: Disc One: 4, 7 Disc Two: 1, 2, 3, 5, 7, 9, 11 Disc Three: 2, 5, 6, 8, 9, 10, 11<\/b><\/p>\n<p><b>Written by Vince<\/b><b>\u00a0Meserko on 11\/09\/15 <\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s Great to be Alive!, showcases a band both embracing and resisting their Southern heritage with uncommon nuance and sensitivity.<\/p>\n","protected":false},"author":27,"featured_media":39444,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,3235,3230,181],"tags":[951,3937,944],"class_list":["post-39425","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","category-music-reviews","category-new-music-rotation","category-rock-rotation","tag-drive-by-truckers","tag-its-great-to-be-alive","tag-vince-meserko"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/11\/DBT-e1447122308722.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/39425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=39425"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/39425\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/39444"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=39425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=39425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=39425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}