{"id":39993,"date":"2015-11-26T11:55:33","date_gmt":"2015-11-26T17:55:33","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=39993"},"modified":"2015-12-17T17:55:46","modified_gmt":"2015-12-17T23:55:46","slug":"yonatan-gat-director","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2015\/11\/26\/yonatan-gat-director\/","title":{"rendered":"Yonatan Gat: Director"},"content":{"rendered":"<p><i><span style=\"font-weight: 400;\"><img decoding=\"async\" class=\"alignright wp-image-39994\" src=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/11\/1c8179f2f8b92824cc6f6386b7ca2159.jpg\" alt=\"1c8179f2f8b92824cc6f6386b7ca2159\" width=\"279\" height=\"281\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/11\/1c8179f2f8b92824cc6f6386b7ca2159-150x150.jpg 150w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/11\/1c8179f2f8b92824cc6f6386b7ca2159-125x125.jpg 125w\" sizes=\"(max-width: 279px) 100vw, 279px\" \/>Director<\/span><\/i><span style=\"font-weight: 400;\"> is the second full length release from New York based group Yonatan Gat. It is an energetic continuation\u00a0of the genre splitting psychedelic rock sound that Israeli guitarist Yonatan Gat created with his band on their first release, <\/span><i><span style=\"font-weight: 400;\">Iberian Passage. <\/span><\/i><span style=\"font-weight: 400;\">Every aspect of this album is seriously impressive, from Gat\u2019s crazy guitar riffing, Israeli drummer Gal Lazer\u2019s African influenced and awe-inducing tight percussion, Brazilian bassist Sergio Sayeg\u2019s woozy melodies, and most importantly, the intricacy of the composition. <\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Director<\/span><\/i><span style=\"font-weight: 400;\"> as a concept could easily become muddled and overwhelmed with too many ideas and genre\u2019s weaving in and out of the musical fabric. But a strong sense of vision (and pure talent) kept this LP tangible. Gat and his band are marked most often as a psychedelic punk group, but without the marked punk vocals you would expect \u2013 most of this LP is instrumental. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">They also, as mentioned earlier, have world influences in their percussion, like marimba-esque chimes that bleed across into the guitar melodies. Gat\u2019s guitar playing is just as diverse as the percussion, switching between noisy Black Sabbath strums, surf riffs, and joyful garage punk melodies. In addition, Gat does field recordings of what seem to be metropolitan soundscapes and works those into many of <\/span><i><span style=\"font-weight: 400;\">Director<\/span><\/i><span style=\"font-weight: 400;\">\u2019s tracks. <span style=\"font-weight: 400;\">When vocals do come in, they don\u2019t feel out of place or overworked; they\u2019re just as intangibly energetic as the rest of the instrumentation, jumping between Hebrew, Portuguese, and English, sometimes within the same track.<\/span><\/span><\/p>\n<p><span style=\"font-weight: 400;\">All of this musical diversity makes Yonatan Gat seem like a group that compose with a serious, religious fervor. And that may ring true. But they also have more fun with their music than many musicians of their skill level. They aren\u2019t afraid to let things get helter skelter, to push rhythms to the point of almost insanity and create melodies that dance and ring around the lucky listener. Their following is unjustly small, but the group just closed up a tour with night after night of sold-out shows and they\u2019re signed to Joyful Noise Recordings alongside rad musicians such as Kishi Bashi, Lou Barlow, Surfer Blood, and Son Lux, so there is great, great promise for Yonatan Gat. They deserve every ounce of success the world has to give.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Notably rad tracks:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cTheme From a Dark Party\u201d is a song that you have to keep yourself from playing on repeat as to not exhaust it. Reminiscent of Shannon &amp; The Clams in the way that it oozes giddy punk energy, Yonatan Gat\u2019s guitar playing shines on this track as it sings back and forth with itself.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cBoxwood\u201d puts a pause on the punk fervor and sees the group create a softer sound, with acoustic guitar work and almost no percussion from Gal Lazer, that is until the last 30 seconds or so. Lazer comes in with a perfectly timed build that transitions seamlessly into \u201cGibraltar,\u201d a track that lets Lazer\u2019s work on the kit shine before Gat sweeps in with his psych riffs.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The closing track, \u201cTanto Que Nem Tem,\u201d balances sweet Bossa Nova guitar melodies, spacey field recordings, and delicate vocals with intermittent sections of intense punk guitar and drum work. One of the most impressive tracks on the album, composition wise.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Recommended<\/b><strong>\u00a0If You Like: Shigeto (for his mad drum skillz), Shannon &amp; The Clams, EZTV, Shana Cleveland &amp; The Sandcastles, DRINKS, Junun (Album from Shye Ben Tzur, Jonny Greenwood, and The Rajasthan Express)<\/strong><\/p>\n<p><b>Recommended\u00a0Tracks: Theme From a Dark Party (5), Tanto Que Nem Tem (11), Gibraltar (8), Casino Cafe (2), Gold Rush (4), North to South (6)<\/b><\/p>\n<p><strong>Do Not Play: None<\/strong><\/p>\n<p><strong>Written by Kayci Lineberger on 11\/25\/15<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Psych rock + world influenced percussion + garage punk + lyrics in 3 different languages + jazz + surf riffs = face happily melted.<\/p>\n","protected":false},"author":1637,"featured_media":39994,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,3235,3230,181],"tags":[3593,2732,4042,4041],"class_list":["post-39993","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","category-music-reviews","category-new-music-rotation","category-rock-rotation","tag-director","tag-kayci-lineberger","tag-psychedelic-rock","tag-yonatan-gat"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2015\/11\/1c8179f2f8b92824cc6f6386b7ca2159.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/39993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/1637"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=39993"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/39993\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/39994"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=39993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=39993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=39993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}