{"id":41527,"date":"2016-02-09T11:41:31","date_gmt":"2016-02-09T17:41:31","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=41527"},"modified":"2016-02-09T22:13:27","modified_gmt":"2016-02-10T04:13:27","slug":"charts-n-adds-22-29","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2016\/02\/09\/charts-n-adds-22-29\/","title":{"rendered":"Charts n’ Adds: 2\/2 – 2\/9"},"content":{"rendered":"

\"yourfriendpress\"After less than a week in our rotation, Lawrence artist Tayrn Miller is back on the KJHK chart with her new Your Friend release,\u00a0Gumption<\/a>.\u00a0<\/em>After a two week stay\u00a0at number one in 2013 with their\u00a0Jekyll\/Hyde\u00a0<\/em>EP,<\/a> it’s no surprise that Your Friend is back at number one so quickly. Miller has been a staple in the local Lawrence scene for a few years now and is making waves.\u00a0Gumption\u00a0<\/em>is a beautiful indie pop-rock album, thick with sweet layers of looped guitar and harmonies. The thematic content is just as admirable, Miller faces head on the concept that as we grow and realize who we are, we may not like what we see. As she says in the title track of\u00a0Gumption<\/em>, “no one really ages quite how they envisioned.” We’re excited here at KJHK to see this release on Domino doing so well, the hometown love is strong with our number one this week.<\/p>\n

After a few weeks of returning artists in the top 5, we’ve got a newcomer: Spanish low-fi group Hinds. With their first full length release\u00a0Leave Me Alone<\/a>\u00a0<\/em>on Mom and Pop, they’re already dancing around number one on the CMJ charts. This record isn’t devastating or impossible to leave behind but it has shining garage rock moments of energy. Following up Hinds at number three is Fuzz. Fuzz’s second release,\u00a0II<\/a>,\u00a0<\/em>sees them lay on the shag that they found in their\u00a0debut self-titled, but with more moments of clarity. Worry not, this album is still tinged with garage rock doom.<\/p>\n

\"berwanger\"Number four on our chart is Berwanger, with\u00a0Demonios<\/a>.\u00a0<\/em>This record slips through the genres of country, rock, punk, and folk, and is the second local release in our top 5 this week.\u00a0Josh Berwanger has been a part of the KC and Lawrence music community for almost two decades as a musician, and of recent as\u00a0co-founder of High Dive Records, a Kansas City based label that hosts a lovely range of local artists including Berwanger’s own releases. Wrapping up our top 5 is St. Germain<\/a>, the mad, beautiful electronic brainchild of\u00a0Ludovic Navarre. This release of the same name feels undefinable at times, incorporating styles and instruments from all over the world alongside Euro-house vibes, supported by killer percussion and jazz riffs.<\/p>\n

New to the KJHK chart this week: Dr. Dog with\u00a0The Psychedelic Swamp,\u00a0<\/em>DIIV\u00a0<\/em>with\u00a0Is The Is Are<\/em>, Applesauce Tears with\u00a0Alpha Drift<\/em>, NZCA Lines with\u00a0Infinite Summer<\/em>, Atlantic Thrills with\u00a0Vices,\u00a0<\/em>Daughter with\u00a0Not To Disappear,\u00a0<\/em>Julia Brown with\u00a0An Abundance of Strawberries,\u00a0<\/em>Wray with\u00a0Hypatia<\/em>, Devin Sinha with\u00a0Our Past and Present Futures,\u00a0<\/em>and Pixel with\u00a0Golden Years.<\/em><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1<\/td>\nYOUR FRIEND<\/td>\nGumption<\/td>\nRibbon<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nHINDS<\/td>\nLeave Me Alone<\/td>\nMom And Pop<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nFUZZ<\/td>\nII<\/td>\nIn The Red<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nBERWANGER<\/td>\nDemonios<\/td>\nHigh Dive<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nST. GERMAIN<\/td>\nSt. Germain<\/td>\nNonesuch<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nDR. DOG<\/td>\nThe Psychedelic Swamp<\/td>\nAnti<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nDIIV<\/td>\nIs The Is Are<\/td>\nCaptured Tracks<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nAPPLESAUCE TEARS<\/td>\nAlpha Drift<\/td>\nBlack Cottage<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nTYCHO<\/td>\nAwake Remixes<\/td>\nGhostly International<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nNZCA LINES<\/td>\nInfinite Summer<\/td>\nMemphis Industries<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nBARONESS<\/td>\nPurple<\/td>\nAbraxan Hymns<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nBESNARD LAKES<\/td>\nA Coliseum Complex Museum<\/td>\nJagjaguwar<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nATLANTIC THRILLS<\/td>\nVices<\/td>\nAlmost Ready<\/td>\n<\/td>\n<\/tr>\n
14<\/td>\nSHIGETO<\/td>\nIntermission EP<\/td>\nGhostly<\/td>\n<\/td>\n<\/tr>\n
15<\/td>\nARCA<\/td>\nMutant<\/td>\nMute<\/td>\n<\/td>\n<\/tr>\n
16<\/td>\nADRIAN YOUNGE<\/td>\nSomething About April II<\/td>\nLinear Labs<\/td>\n<\/td>\n<\/tr>\n
17<\/td>\nCONNAN MOCKASIN AND DEVONTE HYNES<\/td>\nMyths 001 [EP]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
18<\/td>\nDAUGHTER<\/td>\nNot To Disappear<\/td>\nGlassnote<\/td>\n<\/td>\n<\/tr>\n
19<\/td>\nAIDAN KNIGHT<\/td>\nEach Other<\/td>\nOutside<\/td>\n<\/td>\n<\/tr>\n
20<\/td>\nYONATAN GAT<\/td>\nPhysical Copy<\/td>\nJoyful Noise<\/td>\n<\/td>\n<\/tr>\n
21<\/td>\nJULIA BROWN<\/td>\nAn Abundance Of Strawberries<\/td>\nJoy Void<\/td>\n<\/td>\n<\/tr>\n
22<\/td>\nELEANOR FRIEDBERGER<\/td>\nNew View<\/td>\nFrenchkiss<\/td>\n<\/td>\n<\/tr>\n
23<\/td>\nKISHI BASHI<\/td>\nString Quartet Live!<\/td>\nJoyful Noise<\/td>\n<\/td>\n<\/tr>\n
24<\/td>\nARCHY MARSHALL<\/td>\nA New Place 2 Drown<\/td>\nTrue Panther<\/td>\n<\/td>\n<\/tr>\n
25<\/td>\nONEOHTRIX POINT NEVER<\/td>\nGarden Of Delete<\/td>\nWarp<\/td>\n<\/td>\n<\/tr>\n
26<\/td>\nWRAY<\/td>\nHypatia<\/td>\nCommunicating Vessels<\/td>\n<\/td>\n<\/tr>\n
27<\/td>\nDR. LONNIE SMITH<\/td>\nEvolution<\/td>\nBlue Note<\/td>\n<\/td>\n<\/tr>\n
28<\/td>\nDEVIN SINHA<\/td>\nOur Past And Present Futures<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
29<\/td>\nPIXEL<\/td>\nGolden Years<\/td>\nCuneiform<\/td>\n<\/td>\n<\/tr>\n
30<\/td>\nPUSHA T<\/td>\nDarkest Before Dawn<\/td>\nG.O.O.D.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n

 <\/p>\n

Check out our rad top 5 adds this week.<\/p>\n\n\n\n\n\n\n\n
1<\/td>\nDR. DOG<\/td>\nThe Psychedelic Swamp<\/td>\nAnti<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nBLACK MOTH SUPER RAINBOW<\/td>\nSeeFu Lilac<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nFIELD MUSIC<\/td>\nCommontime<\/td>\nMemphis Industries<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nTALKIE<\/td>\nHablas<\/td>\nMilkcarton<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nC DUNCAN<\/td>\nArchitect<\/td>\nFat Cat<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

After less than a week in our rotation, Lawrence artist Tayrn Miller is back on the KJHK chart with her new Your Friend release,\u00a0Gumption.\u00a0After a two week stay\u00a0at number one in 2013 with their\u00a0Jekyll\/Hyde\u00a0EP, it’s no surprise that Your Friend is back at number one so quickly. Miller has been a staple in the local Lawrence scene for a few years now and is making waves.\u00a0Gumption\u00a0is a beautiful indie pop-rock album, thick with sweet layers of looped guitar and harmonies. […]<\/p>\n","protected":false},"author":1637,"featured_media":41530,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3233,15,4],"tags":[4135,1358,4343,49,4136,1660,652,4341,3850,4339,4137,4221,1676,2732,4222,4340,1395,4342,1901],"class_list":["post-41527","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-charts-adds","category-featured-on-kjhk","category-music","tag-berwanger","tag-black-moth-super-rainbow","tag-c-duncan","tag-charts-adds","tag-demonios","tag-domino-records","tag-dr-dog","tag-field-music","tag-fuzz","tag-gumption","tag-high-dive-records","tag-hinds","tag-ii","tag-kayci-lineberger","tag-leave-me-alone","tag-mom-and-pop-music","tag-st-germain","tag-talkie","tag-your-friend"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/02\/gumption-hi-res.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/41527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/1637"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=41527"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/41527\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/41530"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=41527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=41527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=41527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}