{"id":43774,"date":"2016-04-22T10:39:48","date_gmt":"2016-04-22T15:39:48","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=43774"},"modified":"2016-04-22T14:49:16","modified_gmt":"2016-04-22T19:49:16","slug":"bibio-a-mineral-love","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2016\/04\/22\/bibio-a-mineral-love\/","title":{"rendered":"Bibio: A Mineral Love"},"content":{"rendered":"<p><strong><img decoding=\"async\" class=\"alignright wp-image-43783\" src=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/03\/bibio_mineral-love-300x300.jpg\" alt=\"bibio_mineral-love-300x300\" width=\"271\" height=\"271\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/03\/bibio_mineral-love-300x300.jpg 300w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/03\/bibio_mineral-love-300x300-150x150.jpg 150w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/03\/bibio_mineral-love-300x300-125x125.jpg 125w\" sizes=\"(max-width: 271px) 100vw, 271px\" \/><\/strong><\/p>\n<p><em>A Mineral Love<\/em> is a release that pushes\u00a0the boundary of genre, something that Stephen Wilkinson, the UK producer behind Bibio, is fond of doing. With each of his last seven\u00a0LP&#8217;s he has crafted a specific sound, sliding from\u00a0the grimy hip-hop breakbeats of\u00a0<em>Ambivelance Avenue <\/em>to\u00a0fuzzy folk on\u00a0<em>Fi <\/em>or loopy, whispering countryside\u00a0acoustics on\u00a0<em>Vignetting the Compost<\/em>.\u00a0Though each of these albums have a calculated aura, they meld into each other.\u00a0Wilkinson&#8217;s ability to create a consistent style, solely distinct to Bibio, while constantly experimenting is no small thing.<\/p>\n<p>This 13 track release on Merge Records is marked by it&#8217;s infectiously funky nature and, tucked away in the corners of the album, moments\u00a0that hearken to the gentle fuzzy folktronica melodies of Bibio&#8217;s past. The warmth of Wilkinson&#8217;s production is distinctive, born and refined\u00a0since the tracks of his 2005 debut album\u00a0<em>Fi. <\/em>Stylistically Wilkinson&#8217;s guitar work is loopy, influenced by folk melodies, \u00a0and constantly in motion.\u00a0On\u00a0<em>A Mineral Love\u00a0<\/em>pervasive bass lines, an infrequently utilized synth pad and those familiarly structured electric guitar melodies are complimented by guest vocalists like Gotye and Oliver St. Louis, Wilkinson&#8217;s own vocals, groovy as heck saxophone, and plenty of other small moments of experimentation.<\/p>\n<p>Some of the loveliest tracks reminiscent of earlier, subtly groovy Bibio are &#8220;Saint Thomas&#8221; and &#8220;Town &amp; Country.&#8221; Still, they have a reverb to them, a depth and energetic pace that lets them fit perfectly alongside livelier, disco laced funk tracks like &#8220;With The Thought Of Us&#8221; or &#8220;Feeling.&#8221;\u00a0Even less catchy tracks that edge on cheesy have a lovely tone, and don&#8217;t keep the album from being worth multiple listens. You just have to be willing to get a bit brassy and old school with the falsetto&#8217;s and synth. Even if the pop centric tracks don&#8217;t catch your ear the funky, gentle groove of others will pull you right back in. As always, Wilkinson has put out a release that soothes and digs, this go around with disco imbued folktronica and spikes of &#8217;80s synthpop.<\/p>\n<p><strong>Recommended If You Like: Black Moth Super Rainbow, Toro Y Moi, Mount Kimbie, Baths<\/strong><\/p>\n<p><strong>Recommended Tracks: 7 (With The Thought Of Us), 4 (Town &amp; Country), 5 (Feeling), 10 (Wren Tails), 12 (St. Thomas)<\/strong><\/p>\n<p><strong>Do Not Play: none<\/strong><\/p>\n<p><strong>Written by Kayci Lineberger on 04\/22\/16<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bibio&#8217;s folktronica sound in A Mineral Love is spiked with groove, disco and funk. The synth is heavy, vocals dreamy, it&#8217;s a feel good album for these spring days.<\/p>\n","protected":false},"author":1637,"featured_media":43783,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[182,4,3235,3230],"tags":[4731,4194,2732,11],"class_list":["post-43774","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hip-hopelectronic-rotation","category-music","category-music-reviews","category-new-music-rotation","tag-a-mineral-love","tag-bibio","tag-kayci-lineberger","tag-new-music-rotation"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/03\/bibio_mineral-love-300x300.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/43774","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/1637"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=43774"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/43774\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/43783"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=43774"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=43774"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=43774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}