{"id":43896,"date":"2016-03-29T10:00:59","date_gmt":"2016-03-29T15:00:59","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=43896"},"modified":"2016-03-28T12:43:15","modified_gmt":"2016-03-28T17:43:15","slug":"charts-n-adds-323-329","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2016\/03\/29\/charts-n-adds-323-329\/","title":{"rendered":"Charts n’ Adds: 3\/23 – 3\/29"},"content":{"rendered":"

\"charlesbradleyss\"This week an artist deserving of all the number one spots in the world has our number one, and our hearts: Charles Bradley. KJHK Music Staff writer Colin Smith says\u00a0Changes <\/em>“is a blissfully crafted serenade, laden with a soothing horn entourage and a guiding backdrop of rim knocks, humming organ and golden backup vocals. Charles Bradley, the grand master himself, provides raspy, soulful sermons about love, life, and societal issues.” This album reflects on the large comeback that soul and funk sounds are making into contemporary releases; hopefully such pure, groovy soul can make the way for more unknown artists, much like Bradley was, to bring soul back with unadulterated force.<\/p>\n

Number two is a long runner on our chart, DIIV with\u00a0Is The Is Are,<\/em> followed up by Animal Collective with\u00a0Panting With.\u00a0<\/em>Kendrick Lamar’s surprise drop\u00a0untitled. unmastered.\u00a0<\/em>moved from number one last week to number four, followed up by an album that entered the top five it’s first week on the charts, Hop Along’s reissue of\u00a0Get Disowned<\/em>.<\/p>\n

New to the KJHK chart this week: Hop Along with their reissue of\u00a0Get Disowned<\/em>, Ringo Deathstarr with\u00a0Pure Mood<\/em>, Santigold with\u00a099cents,\u00a0<\/em>Into It. Over It. with\u00a0Standards,\u00a0<\/em>Bibio with\u00a0A Mineral Love,\u00a0<\/em>Mount Moriah with\u00a0How To Dance<\/em>, and\u00a0Thao & the Get Down Stay Down with\u00a0A Man Alive.\u00a0<\/em><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1<\/td>\nCHARLES BRADLEY<\/a><\/td>\nChanges<\/a><\/td>\nDaptone<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nDIIV<\/a><\/td>\nIs The Is Are<\/a><\/td>\nCaptured Tracks<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nANIMAL COLLECTIVE<\/a><\/td>\nPainting With<\/a><\/td>\nDomino<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nKENDRICK LAMAR<\/td>\nUntitled Unmastered.<\/td>\nInterscope<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nHOP ALONG<\/a><\/td>\nGet Disowned Reissue<\/a><\/td>\nSaddle Creek<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nWILD NOTHING<\/a><\/td>\nLife Of Pause<\/a><\/td>\nCaptured Tracks<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nSAVAGES<\/a><\/td>\nAdore Life<\/a><\/td>\nMatador<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nLOW CUT HIGH TOPS<\/a><\/td>\nEh, Whatever<\/a><\/td>\nSelf-Released<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nADRIAN YOUNGE<\/a><\/td>\nSomething About April II<\/a><\/td>\nLinear Labs<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nRINGO DEATHSTARR<\/a><\/td>\nPure Mood<\/a><\/td>\nReverberation Appreciation Society<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nSANTIGOLD<\/a><\/td>\n99cents<\/a><\/td>\nAtlantic<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nINTO IT. OVER IT.<\/td>\nStandards<\/td>\nTriple Crown<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nEERIE WANDA<\/a><\/td>\nHum<\/a><\/td>\nBBIB<\/td>\n<\/td>\n<\/tr>\n
14<\/td>\nBASEMENT<\/a><\/td>\nPromise Everything<\/a><\/td>\nRun For Cover<\/td>\n<\/td>\n<\/tr>\n
15<\/td>\nOPUS ORANGE<\/td>\nAnatomic<\/td>\nEmoto<\/td>\n<\/td>\n<\/tr>\n
16<\/td>\nDR. DOG<\/a><\/td>\nThe Psychedelic Swamp<\/a><\/td>\nAnti<\/td>\n<\/td>\n<\/tr>\n
17<\/td>\nMICHAEL NAU<\/a><\/td>\nMowing<\/a><\/td>\nSuicide Squeeze<\/td>\n<\/td>\n<\/tr>\n
18<\/td>\nBIBIO<\/td>\nA Mineral Love<\/td>\nWarp<\/td>\n<\/td>\n<\/tr>\n
19<\/td>\nMOTHERS<\/a><\/td>\nWhen You Walk A Long Distance You Are Tired<\/a><\/td>\nGrand Jury<\/td>\n<\/td>\n<\/tr>\n
20<\/td>\nTOUGHIES<\/td>\nSweet Dream EP<\/td>\nSelf-Released<\/td>\n<\/td>\n<\/tr>\n
21<\/td>\nYOUR FRIEND<\/a><\/td>\nGumption<\/a><\/td>\nDomino<\/td>\n<\/td>\n<\/tr>\n
22<\/td>\nMOUNT MORIAH<\/td>\nHow To Dance<\/td>\nMerge<\/td>\n<\/td>\n<\/tr>\n
23<\/td>\nTHAO AND THE GET DOWN STAY DOWN<\/td>\nA Man Alive<\/td>\nRibbon<\/td>\n<\/td>\n<\/tr>\n
24<\/td>\nCLOUD CULT<\/a><\/td>\nThe Seeker<\/a><\/td>\nEarthology<\/td>\n<\/td>\n<\/tr>\n
25<\/td>\nYUCK<\/a><\/td>\nStranger Things<\/a><\/td>\nMame<\/td>\n<\/td>\n<\/tr>\n
26<\/td>\nPORCHES<\/a><\/td>\nPool<\/a><\/td>\nDomino<\/td>\n<\/td>\n<\/tr>\n
27<\/td>\nM. WARD<\/a><\/td>\nMore Rain<\/a><\/td>\nMerge<\/td>\n<\/td>\n<\/tr>\n
28<\/td>\nFULLBLOODS<\/td>\nMild West<\/td>\nHigh Dive<\/td>\n<\/td>\n<\/tr>\n
29<\/td>\nBARONESS<\/a><\/td>\nPurple<\/a><\/td>\nAbraxan Hymns<\/td>\n<\/td>\n<\/tr>\n
30<\/td>\nJAMES HUNTER SIX<\/a><\/td>\nHold On!<\/a><\/td>\nDaptone<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

\n

Top 5 adds this week are ever so lovely! Turn in to New Music Rotation every night from 12am -6 am, weekdays from 12 pm-6 pm,\u00a0and 6 am-2 pm on Saturday and 6 am- 3 pm on Sunday to catch some of these tunes as well as all of the albums on our chart.<\/p>\n\n\n\n\n\n\n\n
1<\/td>\nBIBIO<\/td>\nA Mineral Love<\/td>\nWarp<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nANDREW BIRD<\/td>\nAre You Serious<\/td>\nLoma Vista<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nTACOCAT<\/td>\nLost Time<\/td>\nHardly Art<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nFRANKIE COSMOS<\/td>\nNext Thing<\/td>\nBayonet Records<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nBUR GUR<\/td>\nHave You Lost Your Faith In God?<\/td>\nNew Los Angeles<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

This week an artist deserving of all the number one spots in the world has our number one, and our hearts: Charles Bradley. KJHK Music Staff writer Colin Smith says\u00a0Changes “is a blissfully crafted serenade, laden with a soothing horn entourage and a guiding backdrop of rim knocks, humming organ and golden backup vocals. Charles Bradley, the grand master himself, provides raspy, soulful sermons about love, life, and societal issues.” This album reflects on the large comeback that soul and […]<\/p>\n","protected":false},"author":1637,"featured_media":43900,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3233,15,4],"tags":[998,4638,1905,49,4381,1012,4674,4675,4400,2732,1360,4533,4719],"class_list":["post-43896","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-charts-adds","category-featured-on-kjhk","category-music","tag-animal-collective","tag-changes","tag-charles-bradley","tag-charts-adds","tag-daptone","tag-diiv","tag-get-disowned","tag-hop-along","tag-is-the-is-are","tag-kayci-lineberger","tag-kendrick-lamar","tag-painting-with","tag-untitled-unmastered"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/03\/changes.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/43896","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/1637"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=43896"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/43896\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/43900"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=43896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=43896"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=43896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}