{"id":50029,"date":"2016-09-26T19:37:54","date_gmt":"2016-09-27T00:37:54","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=50029"},"modified":"2016-09-26T19:37:54","modified_gmt":"2016-09-27T00:37:54","slug":"keaton-henson-kindly-now","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2016\/09\/26\/keaton-henson-kindly-now\/","title":{"rendered":"Keaton Henson: Kindly Now"},"content":{"rendered":"<p><img decoding=\"async\" class=\"size-medium alignright wp-image-50030\" src=\"http:\/\/i1.wp.com\/kjhk.org\/web\/wp-content\/uploads\/2016\/09\/Kindly-Now.jpg?fit=300%2C300\" alt=\"Kindly-Now\" width=\"300\" height=\"300\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/09\/Kindly-Now.jpg 665w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/09\/Kindly-Now-150x150.jpg 150w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/09\/Kindly-Now-300x300.jpg 300w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/09\/Kindly-Now-125x125.jpg 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Kindly Now plays like an Iron and Wine concert performed in a concert hall. With an absolutely gorgeous production mixed with a full orchestra, the intimate singer-songwriter performance from Henson is remarkably haunting throughout the album.<\/p>\n<p>The album opens with the nod to his previous electronica-oriented side project Behaving with the track \u201cMarch,\u201d an intro that spits out choppy, processed vocals that fade amongst a steady orchestral climb of violins and clarinets. The pacing of the album immediately crashes back down into familiar Henson territory with \u201cAlright,\u201d a slow, barebones ballad that delves into a touring artist dealing with a breakup. Sparse, reverb-touched piano joins Henson\u2019s quiet delivery, a duo that provides the basis for over half of the entire record. \u201cThe Pugilist\u201d carries over into similar territory with soft guitar fingerpicking backing up lyrics discussing how to deal with a relationship in the wake of a burgeoning music career, a unique and extremely intimate viewpoint. \u201cGood Lust\u201d shows off Henson\u2019s artistic sophistication in a two-part movement, sounding more like full a concert piece with lyrics. \u201cOld Lovers In Dressing Rooms\u201d deals with the re-visitation of a songwriter and his former lover as the two walk through the vastly different life paths they took. Beautiful piano melodies support an impressively diverse vocal performance from Henson, as falsetto-tipped lines mesh with unique production touches like a creaking chair, creating a sense of a warm personal performance. \u201cHoly Love\u201d offers rootsy-folk vibes with looping chants blending into electronic pop beats, a bright spot on an entirely somber album. The record finally culminates everything on \u201cHow Could I Have Known,\u201d with soft piano backing a huge, swelling orchestra before devolving into a melancholic conclusion.<\/p>\n<p>Henson has an obvious knack for penning anxious, vulnerable songs about the darker bits of relationships. While the album has little ambition to be anything other than what it is, Henson shows off intense artistic focus with carefully crafted songs that hit the intended emotions of heartbreak with surprising precision.<br \/>\n<b><br \/>\nRecommended If You Like: Iron and Wine, Chris Staples, Ray Lamontagne<br \/>\nRecommended Tracks: 1 (Old Lovers In A Dressing Room), 2 (Holy Lover), 3 (March)<br \/>\nDo Not Play: None<br \/>\nWritten by Alex Murray on 09\/26\/2016 <\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anxiously crafted late-night ballads populate the most focused effort from this up-and-coming singer\/songwriter<\/p>\n","protected":false},"author":15737,"featured_media":50030,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[181],"tags":[5210,2292,2245,5539,5540,5541],"class_list":["post-50029","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rock-rotation","tag-alex-murray","tag-folk","tag-indie","tag-keaton-henson","tag-kindly-now","tag-piano"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/09\/Kindly-Now.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/50029","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/15737"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=50029"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/50029\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/50030"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=50029"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=50029"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=50029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}