{"id":50508,"date":"2016-10-04T16:57:40","date_gmt":"2016-10-04T21:57:40","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=50508"},"modified":"2017-10-24T15:43:22","modified_gmt":"2017-10-24T20:43:22","slug":"charts-n-adds-9262016-1032016","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2016\/10\/04\/charts-n-adds-9262016-1032016\/","title":{"rendered":"Charts N&#8217; Adds: 9\/26\/2016 &#8211; 10\/3\/2016"},"content":{"rendered":"<p>This week ushers in the spookiest month of the year. The leaves are falling and so are some of the years greats. Don&#8217;t fret though! There is an insane amount of good music hurrying its way in before the end of the year. This week there is a crazy power shift in the ranks here at KJHK. This is the week of the underdogs as records that were dragging last week hopped up and successful albums trailed.<\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>TOP 3 ADDS<\/strong><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em><strong><a href=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/danny-brown-atrocity-exhibition.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-50533\" src=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/danny-brown-atrocity-exhibition-300x300.jpg\" alt=\"danny-brown-atrocity-exhibition\" width=\"300\" height=\"300\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/danny-brown-atrocity-exhibition-300x300.jpg 300w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/danny-brown-atrocity-exhibition-150x150.jpg 150w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/danny-brown-atrocity-exhibition.jpg 768w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/danny-brown-atrocity-exhibition-125x125.jpg 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>3. &#8220;Atrocity Exhibition,&#8221; by Danny Brown<\/strong><\/em><\/p>\n<p>Zany and spooky &#8211; this album is something is well worth the hype. Danny Brown&#8217;s flow is on display here as he cycles from track to track. There is an abstract experimental side to this album that achieves its goals without falling to pretentiousness.<\/p>\n<p><em><strong> <a href=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a3179496435_10.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-50535\" src=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a3179496435_10-300x300.jpg\" alt=\"a3179496435_10\" width=\"300\" height=\"300\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a3179496435_10-300x300.jpg 300w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a3179496435_10-150x150.jpg 150w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a3179496435_10-768x768.jpg 768w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a3179496435_10-1024x1024.jpg 1024w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a3179496435_10-125x125.jpg 125w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a3179496435_10.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>2. &#8220;Avvolgere,&#8221; by True Widow<\/strong><\/em><\/p>\n<p>Gloomy and spooky doom metal meets Galaxie 500. This album hits many genres that most bands can only refine. This is a perfect October addition as its minor chords slam speakers with ghostly reverberations this week. This is a large recommendation for fans of Pity Sex, doom metal and Beach House.<\/p>\n<p><em><strong><a href=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/JV1.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-50538\" src=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/JV1-300x300.jpg\" alt=\"jv1\" width=\"300\" height=\"300\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/JV1-300x300.jpg 300w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/JV1-150x150.jpg 150w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/JV1-768x768.jpg 768w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/JV1-1024x1024.jpg 1024w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/JV1-125x125.jpg 125w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/JV1.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>1. &#8220;22, A MILLION,&#8221; by Bon Iver<\/strong><\/em><\/p>\n<p>Okay, it&#8217;s a little pretentious. Give Justin Vernon credit though &#8211; this album retains its art without soul and lyrical purpose. There is an incredibly adept lyrical value in this release that is coupled with a new direction in Bon Iver&#8217;s discography. Fans that may have feared the worst will be happy to hear that Vernon completely succeeds at building something substantial out of what may seem<\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>TOP 3 CHARTS<\/strong><\/em><\/p>\n<p><em><strong> <a href=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/dead-gaze-digital.jpeg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-50534\" src=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/dead-gaze-digital-300x300.jpeg\" alt=\"dead-gaze-digital\" width=\"300\" height=\"300\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/dead-gaze-digital-300x300.jpeg 300w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/dead-gaze-digital-150x150.jpeg 150w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/dead-gaze-digital.jpeg 360w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/dead-gaze-digital-125x125.jpeg 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>3. &#8220;Easy Travels&#8221; by Dead Gaze<\/strong><\/em><\/p>\n<p>From our Music Staffer, Chloe Carlson: &#8220;Easy Travels, while preceded only by the groups debut LP Brain Holiday in 2013, effectively solidifies and fine tunes their infectious sound &#8230; As a whole, Easy Travels accomplished what it was meant to, though it introduced nothing revolutionary in the process.&#8221;<\/p>\n<p><a href=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a3191513484_10.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-50536\" src=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a3191513484_10-300x300.jpg\" alt=\"a3191513484_10\" width=\"300\" height=\"300\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a3191513484_10-300x300.jpg 300w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a3191513484_10-150x150.jpg 150w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a3191513484_10-768x768.jpg 768w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a3191513484_10-1024x1024.jpg 1024w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a3191513484_10-125x125.jpg 125w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a3191513484_10.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\u00a0<em><strong>2. &#8220;Phase Zero&#8221; by Morgan Delt<\/strong><\/em><\/p>\n<p>Morgan Delt is definitely a sleeper hit. Just last week this album was much lower on the charts. It is interesting to see a jump &#8211; \u00a0but definitely welcome. Morgan Delt blends their psychedelia with a level of substance\u00a0that is often hard to find in the genre.<\/p>\n<p><em><strong><a href=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a1136135788_10.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-50537\" src=\"http:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a1136135788_10.jpg\" alt=\"a1136135788_10\" width=\"300\" height=\"300\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a1136135788_10.jpg 300w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a1136135788_10-150x150.jpg 150w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/a1136135788_10-125x125.jpg 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>1. &#8220;My Woman&#8221; by Angel Olsen<\/strong><\/em><\/p>\n<p>From last week: &#8220;A top-charter from last week, Angel Olsen continues to conquer the charts this week. \u201cMy Woman\u201d is a hard departure from her folky, quite past. Music is a huge focus for this album \u2013 placing the lyrics in the backseat in quality (though just slightly). It is more likely that a listen will illicit frustration than sadness and emotional solidarity.&#8221;<\/p>\n<p><em><strong>TOP 200 CHARTS<\/strong><\/em><\/p>\n<table>\n<tbody>\n<tr>\n<td>Rank<\/td>\n<td>Artist<\/td>\n<td>Recording<\/td>\n<td>Label<\/td>\n<td>User Supplied Version<\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>1<\/td>\n<td>ANGEL OLSEN<\/td>\n<td>MY WOMAN<\/td>\n<td>Jagjaguwar<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>2<\/td>\n<td>DEAD GAZE<\/td>\n<td>Easy Travels<\/td>\n<td>Ernest Jenning<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>3<\/td>\n<td>MORGAN DELT<\/td>\n<td>Phase Zero<\/td>\n<td>SUB POP<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>4<\/td>\n<td>AJJ<\/td>\n<td>The Bible 2<\/td>\n<td>SideOneDummy<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>5<\/td>\n<td>CAVEMAN<\/td>\n<td>Otero War<\/td>\n<td>Cinematic<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>6<\/td>\n<td>FUTURE GENERATIONS<\/td>\n<td>Future Generations<\/td>\n<td>Frenchkiss<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>7<\/td>\n<td>JEREMY AND THE HARLEQUINS<\/td>\n<td>Into The Night<\/td>\n<td>Yep Roc<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>8<\/td>\n<td>VINYL WILLIAMS<\/td>\n<td>Brunei<\/td>\n<td>Company<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>9<\/td>\n<td>MAGIC TRICK<\/td>\n<td>Other Man&#8217;s Blues<\/td>\n<td>Empty Cellar<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>10<\/td>\n<td>LOCAL NATIVES<\/td>\n<td>Sunlit Youth<\/td>\n<td>Loma Vista<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>11<\/td>\n<td>CARNIVAL YOUTH<\/td>\n<td>Propeller<\/td>\n<td>POPUP<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>12<\/td>\n<td>DEATH VALLEY GIRLS<\/td>\n<td>Glow In The Dark<\/td>\n<td>Burger<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>13<\/td>\n<td>GONJASUFI<\/td>\n<td>Callus<\/td>\n<td>Warp<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>14<\/td>\n<td>A.S.H.E.S. THE CHOSEN<\/td>\n<td>The First Call<\/td>\n<td>SmG<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>15<\/td>\n<td>ALLAH-LAS<\/td>\n<td>Calico Review<\/td>\n<td>Mexican Summer<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>16<\/td>\n<td>DJ SHADOW<\/td>\n<td>The Mountain Will Fall<\/td>\n<td>Mass Appeal<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>17<\/td>\n<td>BEACH BABY<\/td>\n<td>No Mind No Money<\/td>\n<td>Island<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>18<\/td>\n<td>ROYAL CANOE<\/td>\n<td>Something Got Lost Between Here And The Orbit<\/td>\n<td>Nevado<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>19<\/td>\n<td>LVL UP<\/td>\n<td>Return To Love<\/td>\n<td>SUB POP<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>20<\/td>\n<td>MUTUAL BENEFIT *<\/td>\n<td>Skipping A Sinking Stone *<\/td>\n<td>*<\/td>\n<td>waiting for CMJ verification<\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>21<\/td>\n<td>PASCAL PINON<\/td>\n<td>Sundur<\/td>\n<td>Morr<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>22<\/td>\n<td>ROOSEVELT<\/td>\n<td>Roosevelt<\/td>\n<td>City Slang<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>23<\/td>\n<td>SNEAKS<\/td>\n<td>Gymnastics<\/td>\n<td>Merge<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>24<\/td>\n<td>DRUGDEALER<\/td>\n<td>The End Of Comedy<\/td>\n<td>Weird World<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>25<\/td>\n<td>ALBUM LEAF<\/td>\n<td>Between Waves<\/td>\n<td>Relapse<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>26<\/td>\n<td>NICK CAVE AND THE BAD SEEDS<\/td>\n<td>Skeleton Tree<\/td>\n<td>Kobalt<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>27<\/td>\n<td>PREOCCUPATIONS<\/td>\n<td>Preoccupations<\/td>\n<td>Jagjaguwar<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>28<\/td>\n<td>THOM SONNY GREEN<\/td>\n<td>High Anxiety<\/td>\n<td>Canvasback<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>29<\/td>\n<td>GRAPE ROOM<\/td>\n<td>Heart Of Gum<\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>30<\/td>\n<td>PI JA MA<\/td>\n<td>Radio Girl [EP]<\/td>\n<td>Bleepmachine<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><em><strong>TOP 200 ADDS<\/strong><\/em><\/p>\n<table style=\"height: 390px;\" width=\"732\">\n<tbody>\n<tr>\n<td>Rank<\/td>\n<td>Artist<\/td>\n<td>Recording<\/td>\n<td>Label<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>1<\/td>\n<td>BON IVER<\/td>\n<td>&#8220;22 Over Soon (Bob Moose Extended Cab Version)&#8221; [Single]<\/td>\n<td>*<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>2<\/td>\n<td>TRUE WIDOW<\/td>\n<td>Avvolgere<\/td>\n<td>Relapse<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>3<\/td>\n<td>DANNY BROWN<\/td>\n<td>&#8220;Really Doe&#8221; [Single]<\/td>\n<td>Warp<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>4<\/td>\n<td>ADAM TORRES<\/td>\n<td>Pearls To Swine<\/td>\n<td>Fat Possum<\/td>\n<td><\/td>\n<\/tr>\n<tr bgcolor=\"#EEEDEE\">\n<td>5<\/td>\n<td>HEATERS *<\/td>\n<td>Baptisna *<\/td>\n<td>*<\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>This week ushers in the spookiest month of the year. The leaves are falling and so are some of the years greats. Don&#8217;t fret though! There is an insane amount of good music hurrying its way in before the end of the year. This week there is a crazy power shift in the ranks here at KJHK. This is the week of the underdogs as records that were dragging last week hopped up and successful albums trailed. &nbsp; TOP 3 [&hellip;]<\/p>\n","protected":false},"author":7465,"featured_media":50538,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3233,15,1],"tags":[5670,97,5392,5669,5572,3720,5573,5668,5667,5666,5551],"class_list":["post-50508","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-charts-adds","category-featured-on-kjhk","category-uncategorized","tag-atrocity-exhibition","tag-bon-iver","tag-charts-n-adds","tag-danny-brown","tag-dead-gaze","tag-dylan-fox","tag-easy-travels","tag-morgan-delt","tag-my-woman","tag-october-2016","tag-september-2016"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/JV1.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/50508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/7465"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=50508"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/50508\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/50538"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=50508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=50508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=50508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}