{"id":51854,"date":"2016-10-27T15:14:42","date_gmt":"2016-10-27T20:14:42","guid":{"rendered":"http:\/\/kjhk.org\/web\/?p=51854"},"modified":"2016-10-27T15:14:42","modified_gmt":"2016-10-27T20:14:42","slug":"weyes-blood-front-row-seat-to-earth","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2016\/10\/27\/weyes-blood-front-row-seat-to-earth\/","title":{"rendered":"Weyes Blood: Front Row Seat To Earth"},"content":{"rendered":"<p><img decoding=\"async\" class=\"size-medium alignright wp-image-51855\" src=\"http:\/\/i0.wp.com\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/weyes.jpg?fit=300%2C300\" alt=\"weyes\" width=\"300\" height=\"300\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/weyes.jpg 760w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/weyes-150x150.jpg 150w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/weyes-300x300.jpg 300w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/weyes-125x125.jpg 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Weyes Blood, AKA Natalie Mering, carries the sound she has created with her previous album, The Innocents, but progresses forward with increased amounts of instrumentation and overall production. Front Row Seat To Earth is \u201cfolk music of the near future\u201d as she describes it herself on her Bandcamp page. As a huge fan of folk music, I would say this is a pretty accurate way to describe the album. The music is rooted in folk styles of the 1970s, while remaining modern, similar to the earlier works of both St. Vincent and Angel Olsen. Every time I listen to it, Joni Mitchell\u2019s classic, Ladies of the Canyon, always pops into my head.<\/p>\n<p>The album opens with \u201cDiary\u201d, a song about self-reflection that a person typically experiences when keeping a personal record of one\u2019s thoughts and feelings. The tune is centered around piano and a beautiful singing voice, setting the mood for an overall chill and relaxing listening experience. My favorite track on the album, \u201cGeneration Why\u201d, slowly builds until it reaches a blissful acoustic guitar track that carries throughout the remainder of the song. The lyrics are sad and beautiful, recognizing the power of change that we may experience during our lifetime. The album closes out with \u201cFront Row Seat\u201d, which sounds like someone took a snippet of an orchestra playing, and ran it through some sort of mild psychedelic filter to create a subtle sense of chaos that is both pleasant, and unsettling. As a whole, all nine tracks flow very nicely and never stray from the central \u201cvibe\u201d that is initially created starting from track one.<\/p>\n<p>One thing to keep in mind when listening to the album is not to have prior expectations. As someone who is a newer fan of Weyes Blood, I had listened to the song \u201cSuddenly\u201d from Drugdealer\u2019s new album, End of Comedy, which she is featured on, and I couldn\u2019t help but expect Front Row Seat To Earth to be more upbeat and \u201cgroovy\u201d. It\u2019s important to note that this album is pretty low-tempo, vocally heavy, and is best when trying to relax or get some work done. I have found the album to be great to listen to while studying for exams. Overall, the album resonates with lots of emotion and is great for anyone looking to explore modern styles of folk music.<br \/>\n<b><br \/>\nRecommended If You Like: Joni Mitchell, Angel Olsen, St. Vincent, Carole King<br \/>\nRecommended Tracks: 5 (Generation Why), 8 (Away Above), 3 (Be Free)<br \/>\nDo Not Play: none \ud83d\ude42<br \/>\nWritten by MacConnell Wilson on 10\/27\/2016 <\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Front Row Seat To Earth is &#8220;folk music of the near future&#8221;, centered around beautiful vocals and resonating with emotion.<\/p>\n","protected":false},"author":15054,"featured_media":51855,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,3235,3230,181],"tags":[5997,5999,5535,5998,5996],"class_list":["post-51854","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","category-music-reviews","category-new-music-rotation","category-rock-rotation","tag-front-row-seat-to-earth","tag-kemado-records","tag-macconnell-wilson","tag-natalie-mering","tag-weyes-blood"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2016\/10\/weyes.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/51854","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/15054"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=51854"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/51854\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/51855"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=51854"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=51854"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=51854"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}