{"id":70024,"date":"2019-02-05T09:00:44","date_gmt":"2019-02-05T15:00:44","guid":{"rendered":"https:\/\/kjhk.org\/web\/?p=70024"},"modified":"2019-02-09T14:25:44","modified_gmt":"2019-02-09T20:25:44","slug":"charts-adds-week-of-1-29-2-5","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2019\/02\/05\/charts-adds-week-of-1-29-2-5\/","title":{"rendered":"Charts &#038; Adds: Week of 1\/29 &#8211; 2\/5"},"content":{"rendered":"<p>January started 2019 off with some great new music, and the trend seems to be continuing strong here into February. This week&#8217;s number one spot goes to Sharon Van Etten with her new album\u00a0<em>Remind Me Tomorrow<\/em>.<\/p>\n<p><strong>Top 5 Charts:<\/strong><\/p>\n<p><img decoding=\"async\" class=\"size-full wp-image-69942 aligncenter\" src=\"https:\/\/i0.wp.com\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/a2133597467_10_opt.jpg?resize=300%2C300&amp;ssl=1\" sizes=\"(max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/i0.wp.com\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/a2133597467_10_opt.jpg?w=300&amp;ssl=1 300w, https:\/\/i0.wp.com\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/a2133597467_10_opt.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/a2133597467_10_opt.jpg?resize=125%2C125&amp;ssl=1 125w\" alt=\"\" width=\"299\" height=\"299\" \/><\/p>\n<p><strong>1.) Sharon Van Etten \u2013\u00a0<em>Remind Me Tomorrow<\/em><\/strong><\/p>\n<p>\u201cRemind Me Tomorrow is just as the name implies, the world is beautiful but there are times when you are too busy or overwhelmed to enjoy and experience that. Van Etten explores new ways to deal with emotions in our grab-and-go lifestyles.\u201d Read the\u00a0 full review written by Miranda Roberts\u00a0<a href=\"https:\/\/kjhk.org\/web\/2019\/01\/17\/sharon-van-etten-remind-me-tomorrow\/\">HERE<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-69957 size-medium\" src=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/assume-form-300x300.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/assume-form-300x300.png 300w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/assume-form-150x150.png 150w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/assume-form-768x768.png 768w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/assume-form-125x125.png 125w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/assume-form.png 840w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong>2.) James Blake &#8211;\u00a0<em>Assume Form<\/em><\/strong><\/p>\n<p><em>Assume Form\u00a0<\/em>is James Blake&#8217;s fourth studio album, and by far his most accessible to date. Blake&#8217;s gentle vocals and minimalist beats are beautifully complimented by a number of notable features, including Rosal\u00eda, Andre 3000, Travis Scott, and more.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-69937 size-medium\" src=\"https:\/\/i0.wp.com\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/unnamed.jpg?resize=300%2C300&amp;ssl=1\" sizes=\"(max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/i0.wp.com\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/unnamed.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/unnamed.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/unnamed.jpg?resize=125%2C125&amp;ssl=1 125w, https:\/\/i0.wp.com\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/unnamed.jpg?w=585&amp;ssl=1 585w\" alt=\"\" width=\"299\" height=\"299\" \/><br \/>\n<strong>3.) Toro Y Moi \u2013\u00a0<em>Outer Peace<\/em><\/strong><\/p>\n<p>(From previous week) Contemporary hip hop, funk, Eurodance, and ambient elements can all be found on the 10 songs that make up\u00a0<em>Outer Peace,\u00a0<\/em>the newest release from Chaz Bear\u2019s Toro Y Moi. The album manages to push boundaries while not taking itself too seriously, and has a lot of fun doing so.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-69992 size-medium\" src=\"https:\/\/i1.wp.com\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/deerhunter-why-hasnt-everything-already-disappeared-review-1547764133-1024x1024.jpg?resize=300%2C300&amp;ssl=1\" sizes=\"(max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/i1.wp.com\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/deerhunter-why-hasnt-everything-already-disappeared-review-1547764133-1024x1024.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i1.wp.com\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/deerhunter-why-hasnt-everything-already-disappeared-review-1547764133-1024x1024.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i1.wp.com\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/deerhunter-why-hasnt-everything-already-disappeared-review-1547764133-1024x1024.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i1.wp.com\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/deerhunter-why-hasnt-everything-already-disappeared-review-1547764133-1024x1024.jpg?resize=125%2C125&amp;ssl=1 125w, https:\/\/i1.wp.com\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/deerhunter-why-hasnt-everything-already-disappeared-review-1547764133-1024x1024.jpg?resize=1024%2C1024&amp;ssl=1 1024w\" alt=\"\" width=\"299\" height=\"299\" \/><\/p>\n<p><strong>4.) Deerhunter \u2013\u00a0<em>Why Hasn\u2019t Everything Already Disappeared?<\/em><\/strong><\/p>\n<p>(From previous week) Bradford Fox\u2019s philosophical and unpredictable songwriting has had a wide range of sounds and instrumentation backing him over Deerhunter\u2019s 7 previous full length albums, and\u00a0<em>Why Hasn\u2019t Everything Already Disappeared?\u00a0<\/em>gives him a clean, well put together environment to express these thoughts clearly.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-69939 size-medium\" src=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/maggie-rogers-heard-it-in-a-past-life-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/maggie-rogers-heard-it-in-a-past-life-300x300.jpg 300w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/maggie-rogers-heard-it-in-a-past-life-150x150.jpg 150w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/maggie-rogers-heard-it-in-a-past-life-125x125.jpg 125w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/01\/maggie-rogers-heard-it-in-a-past-life.jpg 640w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong>5.) Maggie Rogers \u2013\u00a0<i>Heard It In A Past Life<\/i><\/strong><\/p>\n<p>Maggie Rogers exploded onto the scene with her viral hit &#8220;Alaska&#8221; in 2016.\u00a0<em>Heard It In A Past Life\u00a0<\/em>serves as an introduction to Roger&#8217;s work as an artist, as well as a way for her to reflect on the past two years of her unique experiences in the industry.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Top 30 Charts<\/strong><\/p>\n<table class=\"table table-bordered table-hover table-condensed\">\n<thead>\n<tr>\n<th title=\"Field #1\">Rank<\/th>\n<th title=\"Field #2\">Artist<\/th>\n<th title=\"Field #3\">Record<\/th>\n<th title=\"Field #4\">Label<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td align=\"right\">1<\/td>\n<td>Sharon Van Etten<\/td>\n<td><a href=\"https:\/\/kjhk.org\/web\/2019\/01\/17\/sharon-van-etten-remind-me-tomorrow\/\">Remind Me Tomorrow<\/a><\/td>\n<td>Jagjaguwar<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">2<\/td>\n<td>James Blake<\/td>\n<td>Assume Form<\/td>\n<td>Polydor<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">3<\/td>\n<td>Toro Y Moi<\/td>\n<td>Outer Peace<\/td>\n<td>Carpark<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">4<\/td>\n<td>Deerhunter<\/td>\n<td>Why Hasn&#8217;t Everything Already Disappeared?<\/td>\n<td>4AD\/Beggars Group<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">5<\/td>\n<td>Maggie Rogers<\/td>\n<td>Heard It In A Past Life<\/td>\n<td>Capitol<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">6<\/td>\n<td>Pedro The Lion<\/td>\n<td><a href=\"https:\/\/kjhk.org\/web\/2019\/01\/22\/pedro-the-lion-phoenix\/\">Phoenix<\/a><\/td>\n<td>Polyvinyl<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">7<\/td>\n<td>Royal Canoe<\/td>\n<td>Waver<\/td>\n<td>Paper Bag<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">8<\/td>\n<td>Sneaks<\/td>\n<td>Highway Hypnosis<\/td>\n<td>Merge<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">9<\/td>\n<td>Tallies<\/td>\n<td>Tallies<\/td>\n<td>Kanine<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">10<\/td>\n<td>Malibu Ken<\/td>\n<td>Malibu Ken<\/td>\n<td>Rhymesayers<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">11<\/td>\n<td>Juliana Hatfield<\/td>\n<td>Weird<\/td>\n<td>American Laundromat<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">12<\/td>\n<td>Tender<\/td>\n<td>Fear Of Falling Asleep<\/td>\n<td>Partisan<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">13<\/td>\n<td>Earth Dad<\/td>\n<td>Learning Music [EP]<\/td>\n<td>Self-Released<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">14<\/td>\n<td>The Twilight Sad<\/td>\n<td>It Won\/t Be Like This All The Time<\/td>\n<td>Rock Action<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">15<\/td>\n<td>Praises<\/td>\n<td>In This Year: Ten Of Swords<\/td>\n<td>Hand Drawn Dracula<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">16<\/td>\n<td>Buke And Gase<\/td>\n<td>Scholars<\/td>\n<td>Brassland<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">17<\/td>\n<td>Diva Sweetly<\/td>\n<td>In The Living Room<\/td>\n<td>Seal Mountain<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">18<\/td>\n<td>Mike Krol<\/td>\n<td>Power Chords<\/td>\n<td>Merge<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">19<\/td>\n<td>Holy Golden<\/td>\n<td>Sleepwalkers In The Milky Way<\/td>\n<td>Wallflower<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">20<\/td>\n<td>Spud Cannon<\/td>\n<td>Squeeze<\/td>\n<td>Self-Released<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">21<\/td>\n<td>Steve Gunn<\/td>\n<td>The Unseen In Between<\/td>\n<td>Matador\/Beggars Group<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">22<\/td>\n<td>Lost Under Heaven<\/td>\n<td>Love Hates What You Become<\/td>\n<td>Mute<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">23<\/td>\n<td>Young The Giant<\/td>\n<td>Mirror Master<\/td>\n<td>Elektra (NEK)<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">24<\/td>\n<td>Foxwarren<\/td>\n<td>Foxwarren<\/td>\n<td>Anti-\/Arts &amp; Crafts<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">25<\/td>\n<td>Jeff Tweedy<\/td>\n<td><a href=\"https:\/\/kjhk.org\/web\/2019\/01\/04\/jeff-tweedy-warm\/\">Warm<\/a><\/td>\n<td>dBpm<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">26<\/td>\n<td>Angelo De Augustine<\/td>\n<td>Tomb<\/td>\n<td>Asthmatic Kitty<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">27<\/td>\n<td>Fahrenheist<\/td>\n<td>Albatross<\/td>\n<td>Self-Released<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">28<\/td>\n<td>Chrome Sparks<\/td>\n<td>Be On Fire [EP]<\/td>\n<td>Counter<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">29<\/td>\n<td>Gabe Goodman<\/td>\n<td>Dismissing The Gardener [EP]<\/td>\n<td>Salient<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">30<\/td>\n<td>French For Rabbits<\/td>\n<td>The Weight Of Melted Snow<\/td>\n<td>Muscle Beach<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Some really exciting new adds this week! Give a few of these new albums a listen:<\/p>\n<p><strong>Top 3 Adds<\/strong><\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-70025 size-medium\" src=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/a2811898856_16-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/a2811898856_16-300x300.jpg 300w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/a2811898856_16-150x150.jpg 150w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/a2811898856_16-125x125.jpg 125w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/a2811898856_16.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><b>1.) Girlpool \u2013\u00a0<em>What Chaos is Imaginary?<\/em><\/b><\/p>\n<p>Recommended if you like: Frankie Cosmos, Japanese Breakfast, Soccer Mommy<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-70026 size-medium\" src=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/a3487956959_10-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/a3487956959_10-300x300.jpg 300w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/a3487956959_10-150x150.jpg 150w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/a3487956959_10-768x768.jpg 768w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/a3487956959_10-1024x1024.jpg 1024w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/a3487956959_10-125x125.jpg 125w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/a3487956959_10.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong>2.) Charry Glazerr \u2013\u00a0<em>Stuffed &amp; Ready<\/em><\/strong><\/p>\n<p>Recommended if you like:\u00a0Ian Sweet, Charly Bliss, The Courtneys<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-70027 size-medium\" src=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/unnamed-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/unnamed-300x300.jpg 300w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/unnamed-150x150.jpg 150w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/unnamed-768x768.jpg 768w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/unnamed-1024x1024.jpg 1024w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/unnamed-125x125.jpg 125w, https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/unnamed.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong>3.)\u00a0 Beirut \u2013\u00a0\u00a0<em>Gallapoli<\/em><\/strong><\/p>\n<p>Recommended if you like: Fleet Foxes, Broken Social Scene, DeVotchKa<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Top 10 Adds<\/strong><\/p>\n<table class=\"table table-bordered table-hover table-condensed\">\n<thead>\n<tr>\n<th title=\"Field #1\">Rank<\/th>\n<th title=\"Field #2\">Artist<\/th>\n<th title=\"Field #3\">Record<\/th>\n<th title=\"Field #4\">Label<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td align=\"right\">1<\/td>\n<td>Girlpool<\/td>\n<td>What Chaos Is Imaginary<\/td>\n<td>Anti-<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">2<\/td>\n<td>Cherry Glazerr<\/td>\n<td>Stuffed &amp; Ready<\/td>\n<td>Secretly Canadian<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">3<\/td>\n<td>Beirut<\/td>\n<td>Gallipoli<\/td>\n<td>4AD\/Beggars Group<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">4<\/td>\n<td>Deer Tick<\/td>\n<td>Mayonnaise<\/td>\n<td>Partisan<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">5<\/td>\n<td>Sam Valdez<\/td>\n<td>Mirage [EP]<\/td>\n<td>Nevado<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">6<\/td>\n<td>Flat Worms<\/td>\n<td>Into The Iris [EP]<\/td>\n<td>GOD?<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">7<\/td>\n<td>Curt Castle<\/td>\n<td>If I&#8217;m Here At All<\/td>\n<td>True Blue<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">8<\/td>\n<td>Hajk<\/td>\n<td>Drama<\/td>\n<td>Jensen<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">9<\/td>\n<td>A Fragile Tomorrow<\/td>\n<td>Generation Loss<\/td>\n<td>MPress<\/td>\n<\/tr>\n<tr>\n<td align=\"right\">10<\/td>\n<td>Weeknight<\/td>\n<td>Dead Beat Creep<\/td>\n<td>Dead Stare<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>January started 2019 off with some great new music, and the trend seems to be continuing strong here into February. This week&#8217;s number one spot goes to Sharon Van Etten with her new album\u00a0Remind Me Tomorrow. Top 5 Charts: 1.) Sharon Van Etten \u2013\u00a0Remind Me Tomorrow \u201cRemind Me Tomorrow is just as the name implies, the world is beautiful but there are times when you are too busy or overwhelmed to enjoy and experience that. Van Etten explores new ways [&hellip;]<\/p>\n","protected":false},"author":20855,"featured_media":70028,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3233,15,4],"tags":[],"class_list":["post-70024","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-charts-adds","category-featured-on-kjhk","category-music"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2019\/02\/a2133597467_10.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/70024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/20855"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=70024"}],"version-history":[{"count":0,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/70024\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/70028"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=70024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=70024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=70024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}