{"id":76709,"date":"2020-12-01T12:00:06","date_gmt":"2020-12-01T18:00:06","guid":{"rendered":"https:\/\/kjhk.org\/web\/?p=76709"},"modified":"2020-12-01T10:57:07","modified_gmt":"2020-12-01T16:57:07","slug":"charts-adds-week-of-11-24-12-1","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2020\/12\/01\/charts-adds-week-of-11-24-12-1\/","title":{"rendered":"Charts & Adds: Week of 11\/24 – 12\/1"},"content":{"rendered":"

Top 5 Charts<\/strong><\/p>\n

\"\"<\/p>\n

1.) Nailbiter –\u00a0Brace<\/em><\/p>\n

A massive collection spanning tons of different sub-genres of electronic,\u00a0Brace\u00a0<\/em>is a beautiful look into the artistry of the Toronto-based producer.<\/p>\n

\"\"<\/p>\n

2.) Cabaret Voltaire –\u00a0Shadow of Fear<\/em><\/p>\n

Shadow of Fear\u00a0<\/em>is an album that feels frozen in time; it is a contemporary project containing tracks that seem like old-classics.<\/p>\n

\"\"<\/p>\n

3.) Aesop Rock –\u00a0Spirit World Field Guide<\/em><\/p>\n

The hip-hop veteran proves himself once again with an album consistent with his entire discography\u2013if it ain\u2019t broke, don\u2019t fix it!<\/p>\n

\"\"<\/p>\n

4.) Gorillaz –\u00a0Song Machine, Season One: Strange Times<\/em><\/p>\n

The beloved music veterans return once more with a huge album that upholds their status as consistent hit-makers who feature a large variety of artists.<\/p>\n

\"\"<\/p>\n

5.) Anna McClellan –\u00a0I saw first light<\/em><\/p>\n

A fun, clever, and heartwarming project from the Omaha native.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Rank<\/th>\nArtist<\/th>\nRecord<\/th>\nLabel<\/th>\n<\/tr>\n<\/thead>\n
1<\/td>\nNailbiter<\/td>\nBrace<\/td>\nHand Drawn Dracula<\/td>\n<\/tr>\n
2<\/td>\nCabaret Voltaire<\/td>\nShadow of Fear<\/td>\nMute<\/td>\n<\/tr>\n
3<\/td>\nAesop Rock<\/td>\nSpirit World Field Guide<\/td>\nRhymesayers<\/td>\n<\/tr>\n
4<\/td>\nGorillaz<\/td>\nSong Machine, Season One: Strange Timez<\/td>\nParlophone\/Warner<\/td>\n<\/tr>\n
5<\/td>\nAnna McClellan<\/td>\nI saw first light<\/td>\nFather\/Daughter<\/td>\n<\/tr>\n
6<\/td>\nActress<\/td>\nKarma & Desire<\/td>\nNinja Tune<\/td>\n<\/tr>\n
7<\/td>\nBabeheaven<\/td>\nHome For Now<\/td>\nSelf-Released<\/td>\n<\/tr>\n
8<\/td>\nPublic Memory<\/td>\nRipped Apparition<\/td>\nFelte<\/td>\n<\/tr>\n
9<\/td>\nFrankie And The Witch Fingers<\/td>\nMonsters Eating People Eating Monsters<\/td>\nGreenway\/RAS<\/td>\n<\/tr>\n
10<\/td>\nRob Mazurek And Exploding Star Orchestra<\/td>\nDimensional Stardust<\/td>\nInternational Anthem\/Nonesuch<\/td>\n<\/tr>\n
11<\/td>\nChina Club<\/td>\nMing + Zhizhi<\/td>\nCitrus City<\/td>\n<\/tr>\n
12<\/td>\nNOTHING<\/td>\nThe Great Dismal<\/td>\nRelapse<\/td>\n<\/tr>\n
13<\/td>\nCamila Fuchs<\/td>\nKids Talk Sun<\/td>\nFelte<\/td>\n<\/tr>\n
14<\/td>\nRecord Setter<\/td>\nOwe You Nothing<\/td>\nTopshelf<\/td>\n<\/tr>\n
15<\/td>\nPotatohead People<\/td>\nMellow Fantasy<\/td>\nBastard Jazz<\/td>\n<\/tr>\n
16<\/td>\nGulfer<\/td>\nGulfer<\/td>\nTopshelf<\/td>\n<\/tr>\n
17<\/td>\nAsha Imuno<\/td>\nGood News<\/td>\n4AD\/Beggars Group<\/td>\n<\/tr>\n
18<\/td>\nPopulation II<\/td>\n\u00c0 La \u00d4 Terre<\/td>\nCastle Face<\/td>\n<\/tr>\n
19<\/td>\nOceanator<\/td>\nThings I Never Said<\/td>\nPolyvinyl<\/td>\n<\/tr>\n
20<\/td>\nEmily Edrosa<\/td>\nAnother Wave Is Coming<\/td>\nPark The Van<\/td>\n<\/tr>\n
21<\/td>\nCuushe<\/td>\nWAKEN<\/td>\nFlau<\/td>\n<\/tr>\n
22<\/td>\nPink Siifu And Fly Anakin<\/td>\nFlySiifu’s<\/td>\nLex<\/td>\n<\/tr>\n
23<\/td>\nMolchat Doma<\/td>\nMonument<\/td>\nSacred Bones<\/td>\n<\/tr>\n
24<\/td>\nMamalarky<\/td>\nMamalarky<\/td>\nFire Talk<\/td>\n<\/tr>\n
25<\/td>\nChubby And The Gang<\/td>\nSpeed Kills<\/td>\nPartisan<\/td>\n<\/tr>\n
26<\/td>\nHelena Deland<\/td>\nSomeone New<\/td>\nLuminelle<\/td>\n<\/tr>\n
27<\/td>\nPrivate Function<\/td>\nWhose Line Is It Anyway?<\/td>\nDamaged<\/td>\n<\/tr>\n
28<\/td>\nBoy Pablo<\/td>\nWachito Rico<\/td>\n777<\/td>\n<\/tr>\n
29<\/td>\nWorking Men’s Club<\/td>\nWorking Men’s Club<\/td>\nHeavenly\/PIAS<\/td>\n<\/tr>\n
30<\/td>\nFuzz<\/td>\nIII<\/td>\nIn The Red<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Top 3 Adds<\/strong><\/p>\n

\"\"<\/p>\n

1.) Das M\u00f6rtal –\u00a0Miami Beach Witches<\/em><\/p>\n

Recommended if you like: Oneohtrix Point Never, M83, Kraftwerk<\/p>\n

\"\"<\/p>\n

2.) Karaoke –\u00a0Blood, Piss, Religion, Pain<\/em><\/p>\n

Recommended if you like: Slow Pulp, This Mortal Coil, Cocteau Twins<\/p>\n

\"\"<\/p>\n

3.) Wilson’s Prom –\u00a0Welcome to the Prom<\/em><\/p>\n

Recommended if you like: Beach House, Cocteau Twins, Alvvays<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Rank<\/th>\nArtist<\/th>\nRecord<\/th>\nLabel<\/th>\n<\/tr>\n<\/thead>\n
1<\/td>\nDas M\u00f6rtal<\/td>\nMiami Beach Witches<\/td>\nLisbon Lux<\/td>\n<\/tr>\n
2<\/td>\nKaraoke<\/td>\nBlood, Piss, Religion, Pain<\/td>\nSelf-Released<\/td>\n<\/tr>\n
3<\/td>\nWilson’s Prom<\/td>\nWelcome to the Prom<\/td>\nSelf-Released<\/td>\n<\/tr>\n
4<\/td>\nJasper Lotti<\/td>\nKiss Tha Future [EP]<\/td>\nSelf-Released<\/td>\n<\/tr>\n
5<\/td>\nJoan Of Arc<\/td>\nTim Melina Theo Bobby<\/td>\nJoyful Noise<\/td>\n<\/tr>\n
6<\/td>\nFairmont<\/td>\nLiminal Spaces<\/td>\nMint 400<\/td>\n<\/tr>\n
7<\/td>\nGotts Street Park<\/td>\nVol. 2 [EP]<\/td>\nBlue Flowers \/ PIAS<\/td>\n<\/tr>\n
8<\/td>\nSophia Bel<\/td>\nPrincess of the Dead, Vol. II [EP]<\/td>\nBonsound<\/td>\n<\/tr>\n
9<\/td>\nAlex Maas<\/td>\nLuca<\/td>\nInnovative Leisure<\/td>\n<\/tr>\n
10<\/td>\nGrand Pax<\/td>\nWavey [EP]<\/td>\nBlue Flowers \/ PIAS<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Top 5 Charts 1.) Nailbiter –\u00a0Brace A massive collection spanning tons of different sub-genres of electronic,\u00a0Brace\u00a0is a beautiful look into the artistry of the Toronto-based producer. 2.) Cabaret Voltaire –\u00a0Shadow of Fear Shadow of Fear\u00a0is an album that feels frozen in time; it is a contemporary project containing tracks that seem like old-classics. 3.) Aesop Rock –\u00a0Spirit World Field Guide The hip-hop veteran proves himself once again with an album consistent with his entire discography\u2013if it ain\u2019t broke, don\u2019t fix […]<\/p>\n","protected":false},"author":13,"featured_media":76712,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3233,15,4],"tags":[],"class_list":["post-76709","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-charts-adds","category-featured-on-kjhk","category-music"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2020\/11\/a0398616100_10.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/76709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=76709"}],"version-history":[{"count":3,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/76709\/revisions"}],"predecessor-version":[{"id":76717,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/76709\/revisions\/76717"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/76712"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=76709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=76709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=76709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}