{"id":76813,"date":"2021-01-02T14:10:24","date_gmt":"2021-01-02T20:10:24","guid":{"rendered":"https:\/\/kjhk.org\/web\/?p=76813"},"modified":"2021-01-02T14:37:17","modified_gmt":"2021-01-02T20:37:17","slug":"kjhks-top-10-of-2020","status":"publish","type":"post","link":"https:\/\/kjhk.org\/web\/2021\/01\/02\/kjhks-top-10-of-2020\/","title":{"rendered":"KJHK&#8217;s Top 10 of 2020"},"content":{"rendered":"\n<p>What a year 2020 was. In a year marked by isolation and tragedy, we here at KJHK found solace in our favorite music. As we do every year, we asked music, executive, content, and DJ staffs to rank their favorite albums of the year. Since we weren\u2019t able to be together to discuss our favorite music as it was coming out, everyone provided wildly unique and diverse lists. We hope you enjoy!<\/p>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh3.googleusercontent.com\/KtsIPXkivgTwszNz7LOELhRWMOPfBrO45iwwnij2w6qqNtgNNbyfhig_Q00ONvtfKjb6iblOZ2xYoqMgZjMeaJE1sjJWyijtUaOVo1y9d0-0LYDWQMYcbTpb6qb67_Vx2ZBxBiGz\"><strong>Deegan Poores<\/strong> &#8211; Music Director<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Lil Uzi Vert &#8211; <em>Eternal Atake<\/em><\/li><li>Waxahatchee &#8211; <em>Saint Cloud<\/em><\/li><li>Playboi Carti &#8211; <em>Whole Lotta Red<\/em><\/li><li>Bad Bunny &#8211; <em>YHLQMDLG<\/em><\/li><li>Gil Scott-Heron &amp; Makaya McCraven &#8211; <em>We\u2019re New Again<\/em><\/li><li>Adrianne Lenker &#8211; <em>songs\/instrumentals<\/em><\/li><li>Freddie Gibbs &amp; The Alchemist &#8211; <em>Alfredo<\/em><\/li><li>Westerman &#8211; <em>Your Hero Is Not Dead<\/em><\/li><li>Yaeji &#8211; <em>WHAT WE DREW \uc6b0\ub9ac\uac00 \uadf8\ub824\uc654\ub358<\/em><\/li><li>Angel Bat Dawid &amp; Tha Brothahood &#8211; <em>LIVE<\/em><\/li><\/ol>\n\n\n\n<p>Lil Uzi Vert&#8217;s run of singles and features in 2018-2019 following 2017&#8217;s <em>Luv Is Rage 2<\/em> built hype for Uzi&#8217;s follow up. Fans were waiting for a magnum opus, an expectation impossible to reach, but if you go in expecting a collection of fun songs with wild flows, creative melodies, quotable one-liners, and adventurous production, <em>Eternal Atake<\/em> delivers in spades. Being able to experience Uzi\u2019s artistic development since his 2016 breakthrough has been a real treat, and I can only hope that he doesn\u2019t listen to the outspoken subsect of his fans on Twitter that want him to return to his early sound, and that he continues to move forward into more uncharted territory. Pairing <em>Eternal Atake<\/em> with the almost-as-great leak and outtake collection <em>Lil Uzi Vert vs. The World 2<\/em> in the deluxe version is just icing on the cake.<\/p>\n\n\n\n<p>Deegan Poores on <em>Eternal Atake<\/em><\/p>\n\n\n\n<p><br><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh5.googleusercontent.com\/8moe7GFc50zSY3y468xF8ZGXRazfdUWmDVetPgwpXV9vBCUHvFT_eJ_kOtcPOlpSUsC5xsUH0xaqyLfE44GuhRC7IGMamYXuV3Eacqd1knPCSZvy1NGe-bLiCavxDH-MEMDnveO_\"><strong>Erin Bugee<\/strong> &#8211; Communications Director<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Dan Deacon &#8211; <em>Mystic Familiar<\/em><\/li><li>Kelly Lee Owens &#8211; <em>Inner Song<\/em><\/li><li>Yaeji &#8211; <em>WHAT WE DREW \uc6b0\ub9ac\uac00 \uadf8\ub824\uc654\ub358<\/em><\/li><li>Ultra\u00edsta &#8211; <em>Sister<\/em><\/li><li>Porridge Radio &#8211; <em>Every Bad<\/em><\/li><li>Sneaks &#8211; <em>Happy Birthday<\/em><\/li><li>Thundercat &#8211; <em>It Is What It Is<\/em><\/li><li>Louis Prince &#8211; <em>Thirteen<\/em><\/li><li>Jordana &#8211; <em>Classical Notions of Happiness<\/em><\/li><li>Run the Jewels &#8211; <em>RTJ4<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh6.googleusercontent.com\/GEa8fu-wqEY2yiBAExzB4E6e-2foP-LozewD3v83J3rcAGAdSVWzguKWdh9ZkY4BynY5atMKUfsEZ4a_MlzwFu9J2XQPCPVzFO2-LUKds0Kc14n1JYIb42vlh3IojA1-zMlfwE4P\"><strong>Kade Schoenfeldt<\/strong> &#8211; Programming Director<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>HMLTD &#8211; <em>West of Eden<\/em><\/li><li>Black Dresses &#8211; <em>Peaceful as Hell<\/em><\/li><li>Yves Tumor &#8211; <em>Heaven To A Tortured Mind<\/em><\/li><li>Dogleg &#8211; <em>Melee<\/em><\/li><li>Run the Jewels &#8211; <em>RTJ4<\/em><\/li><li>R.A.P. Ferreira &#8211; <em>Purple Moonlight Pages<\/em><\/li><li>The Strokes &#8211; <em>The New Abnormal<\/em><\/li><li>Fontaine\u2019s D.C. &#8211; <em>A Hero\u2019s Death<\/em><\/li><li>Dehd &#8211; <em>Flower of Devotion<\/em><\/li><li>Freddie Gibbs &amp; The Alchemist &#8211; <em>Alfredo<\/em><\/li><\/ol>\n\n\n\n<p>HMLTD&#8217;s fantastic debut album <em>West of Eden<\/em> combines far reaching influences, including post punk, synth pop, industrial rock, trap, Elvis Presley, and even spaghetti western soundtracks. The result is an exciting album where each new track is a refreshing surprise, yet the consistent lyrical themes and musical motifs ensure that the album still feels cohesive. The London band explores the forces of capitalism and the Western world, and their pernicious influence on every aspect of life including topics of gender identity, financial instability, love and relationships, and the quest to find a purpose in life. On <em>West of Eden, <\/em>HMLTD&#8217;s unique combination of musical influences and relevant lyrics leads to anthemic, cathartic headbangers that helped get me through the year and will probably help carry me through 2021 as well.<\/p>\n\n\n\n<p>Kade Schoenfeldt on <em>West of Eden<\/em><\/p>\n\n\n\n<p><br><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh3.googleusercontent.com\/XSL7oU8EDkRcv80YThglr38lf651fPCjxQCatzMy0Yvr5wwF1dWEKUVgVrqAjlDLSYLoKh1r96Fb-bxYFMzbsrWXsHjtdKzPnXwp05vXSHBPr8YjG5YU-EMyPwJDDE-ZwKyJMqok\"><strong>Markus Becerra<\/strong> &#8211; IT Director<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>The Strokes &#8211; <em>The New Abnormal<\/em><\/li><li>King Krule &#8211;<em> Man Alive!<\/em><\/li><li>Jean Dawson &#8211; <em>Pixel Bath<\/em><\/li><li>Charli XCX &#8211;<em> how i\u2019m feeling now<\/em><\/li><li>Phoebe Bridgers &#8211; <em>Punisher<\/em><\/li><li>Bad Bunny &#8211; <em>YHLQMDLG<\/em><\/li><li>Arca &#8211; <em>Kick I<\/em><\/li><li>Disclosure &#8211; <em>Energy<\/em><\/li><li>Joji &#8211; <em>Nectar<\/em><\/li><li>Kid Cudi &#8211; <em>Man On The Moon III: The Chosen<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh4.googleusercontent.com\/Le5MrnkgEHszy7XiiJfV-Z6t1s6aJM0cSpEa44fKsivHM8eiuCTHl-pNEvS7UfcmOV3n9VcK4si2y0-L6d0Te-yfs3NfKBoHkHIuwRuCLBDXfhqA0drmmZenSktl22TOKtFy4-0y\"><strong>Jaya Chakka<\/strong> &#8211; Station Manager<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Glass Animals &#8211; <em>Dreamland<\/em><\/li><li>Keaton Henson &#8211; <em>Monument<\/em><\/li><li>WAAX &#8211; <em>Big Grief<\/em><\/li><li>Squirrel Flower &#8211; <em>I Was Born Swimming<\/em><\/li><li>Phoebe Bridgers &#8211; <em>Punisher<\/em><\/li><li>Fleet Foxes &#8211; <em>Shore<\/em><\/li><li>Emily Rockarts &#8211; <em>Little Flower<\/em><\/li><li>Fiona Apple &#8211; <em>Fetch the Bolt Cutters<\/em><\/li><li>Soccer Mommy &#8211; <em>color theory<\/em><\/li><li>Elliott Moss &#8211; <em>A Change in Diet<\/em><\/li><\/ol>\n\n\n\n<p>Despite debuting nearly three quarters of the way through 2020, Glass Animals\u2019 third album, <em>Dreamland<\/em>, has shaped my year more than any other release. As a long-time fan of the group, I will be the first to admit that <em>Dreamland <\/em>is not my favorite Glass Animals album; in fact, I\u2019d argue that both <em>ZABA <\/em>and <em>How to Be a Human Being<\/em> are better records. But what makes Glass Animals such a fantastic group is that every single album they release is captivating and poignant in its own right. Even their least impressive songs are still pretty damn good songs. In <em>Dreamland<\/em>, Glass Animals frontman Dave Bayley peels back the layers of relative obscurity surrounding his personal life and bares his soul to the world in musical form. He touches on topics ranging from lighthearted childhood memories to the pain of witnessing domestic abuse, treating the album\u2019s themes with the care and reflection they deserve. Despite the occasionally heavy subject matter, <em>Dreamland <\/em>is drenched with catchy melodies, sensual riffs, and groovy beats. It\u2019s a memoir in album form, and it\u2019s nearly impossible to listen without feeling nostalgia for summers past and the unique trials of growing up. As we move forward into the terrifying unknown of what 2021 might bring, <em>Dreamland<\/em> serves as both a throwback to happier times and a reminder that the journey is just as important as the destination.<\/p>\n\n\n\n<p>Jaya Chakka on <em>Dreamland<\/em><\/p>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh6.googleusercontent.com\/Lrtm6io4bvnRDWAo5vxh_2HaZBtQDK766dprV0DJn2J7E-2rVTJ_vFJKYBDR2CdKX0295YTse8qYvT8pah3y2CbjcLfkp1LTtxYneD-IM9ZORZPzOWHBwIVK12DZL4lxlaDGi0UF\"><strong>Cole Billings<\/strong> &#8211; In-studio Director<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Deaton Chris Anthony &#8211; <em>BOOGY WOOGY<\/em><\/li><li>Bladee &#8211; <em>EXETER<\/em><\/li><li>window seat &#8211; <em>9<\/em><\/li><li>dog almighty &#8211; <em>The Kingdom of Dog is Within You<\/em><\/li><li>Helvetia &#8211; <em>This Devastating Map<\/em><\/li><li>Fake Eyes &#8211; <em>A Drip Is All We Know<\/em><\/li><li>Westside Gunn &#8211; <em>Pray for Paris<\/em><\/li><li>STRFKR &#8211; <em>Ambient 1<\/em><\/li><li>Marble Teeth &#8211;<em> Park<\/em><\/li><li>Pulsr &#8211; <em>The Three<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh3.googleusercontent.com\/X_Ewtz4_2rEhhkWXGBSey1GSJUbk2Xb4R74XD9CIKStkzSuXKlyA-vXrv5mEi_TcXNz-Wc6ZrlyQ0pbwfFZhdR7EkzuAZaw_GuM4hCPk2E-hTaJQ6CPcIVR1J386xOBhpLfFXzdi\"><strong>Wyatt Hall<\/strong> &#8211; Audio Content Editor<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Thundercat &#8211; <em>It Is What It Is<\/em><\/li><li>Run the Jewels &#8211; <em>RTJ4<\/em><\/li><li>Phoebe Bridgers &#8211; <em>Punisher<\/em><\/li><li>boy pablo &#8211; <em>Wachito Rico<\/em><\/li><li>Duckwrth &#8211; <em>SuperGood<\/em><\/li><li>Hayley Williams &#8211; <em>Petals for Amor<\/em><\/li><li>Chloe x Halle &#8211; <em>Ungodly Hour<\/em><\/li><li>Shawn Wasabi &#8211; <em>MANGOTALE<\/em><\/li><li>Mac Miller &#8211;<em> Circles<\/em><\/li><li>CHIKA &#8211; <em>INDUSTRY GAMES<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh3.googleusercontent.com\/Umy6mBg60P3tbR1qdPHOdRvu-iHb3wmrKqEK79iHFnyulFy8KpZW5emlC3Ci0Q-LMNlXhnuSi6sS56A8TTTFEiOSm5jSzFcYp1H_mSZ505GZMJ3JOTjnJcqUN3HpWlAOsjcl7-XH\"><strong>Fabian Rosales<\/strong> &#8211; Video Content Editor<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Yves Tumor &#8211; <em>Heaven To A Tortured Mind<\/em><\/li><li>HOMESHAKE &#8211; <em>Haircut<\/em><\/li><li>Fiona Apple &#8211; <em>Fetch the Bolt Cutters<\/em><\/li><li>Sorry &#8211; <em>925<\/em><\/li><li>Charli XCX &#8211; <em>how i\u2019m feeling now<\/em><\/li><li>Deaton Chris Anthony &#8211; <em>BOOGY WOOGY<\/em><\/li><li>Rico Nasty &#8211; <em>Nightmare Vacation<\/em><\/li><li>BOYO &#8211; <em>Alone Together in Los Angeles<\/em><\/li><li>STRFKR &#8211; <em>Ambient 1<\/em><\/li><li>JPEGMAFIA &#8211; <em>EP!<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh6.googleusercontent.com\/NWjOEKLJUJoYPN6-EOwJJf9_2NZusCA-n1mD5nFK8_oc3Yi975yqK46x1oVKLYKeWVuXIvAoPlWD3RYuroQASqsRLrPIjPm6jOuD7Upc4tWsyPS92QnTWwoEiy1S8O6PmsjrhpJN\"><strong>Bella Koscal<\/strong> &#8211; Community Engagement Director<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Phoebe Bridgers &#8211; <em>Punisher<\/em><\/li><li>Orla Gartland &#8211; <em>Freckle Season<\/em><\/li><li>Bad Bunny &#8211; <em>EL \u00daLTIMO TOUR DEL MUNDO<\/em><\/li><li>Sylvan Esso &#8211; <em>Free Love<\/em><\/li><li>Serena Isoma &#8211; <em>The Leo Sun Sets<\/em><\/li><li>Jaden &#8211; <em>CTV3: Cool Tape Vol. 3<\/em><\/li><li>COIN &#8211; <em>Dreamland<\/em><\/li><li>Lennon Stella &#8211; <em>Three. Two. One.<\/em><\/li><li>Mxmtoon &#8211; <em>dawn &amp; dusk<\/em><\/li><li>Conan Gray &#8211; <em>Kid Krow<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh4.googleusercontent.com\/nVCRgidm3e9Jo9OJeqyqsSYphgu9Rgs274D5aUlKhzkpeFvQaFFnJ81nMV-_vPBwePAazBdRELSUWBPhnQTiO6gREnN_oNopO4Lc1Huxuz-fEedgZ1JQOZ1YoNjOdKjX5Rr7oJgM\"><strong>Grace Needham<\/strong> &#8211; Development Director<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Early Eyes &#8211; <em>Sunbathing<\/em><\/li><li>Kate Bollinger &#8211; <em>A word becomes a sound<\/em><\/li><li>Charli XCX &#8211; <em>how i\u2019m feeling now<\/em><\/li><li>Taylor Swift &#8211; <em>folklore<\/em><\/li><li>Phoebe Bridgers &#8211; <em>Punisher<\/em><\/li><li>Yves Tumor &#8211;<em> Heaven To A Tortured Mind<\/em><\/li><li>Yellow Days &#8211; <em>A Day in a Yellow Beat<\/em><\/li><li>Beach Bunny &#8211;<em> Honeymoon<\/em><\/li><li>Joji &#8211; <em>Nectar<\/em><\/li><li>Yung Gravy &#8211; <em>Gasanova<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"251\" src=\"https:\/\/lh4.googleusercontent.com\/HWOIUwdMvaYgiTHzejqiQ9U7vOYaYZliuaHCRpvB8-1BL_hgtEfB6gqex2PYUfrDmp5HHLNzm0d7rfUEeKXwAlN0JPV5SEM46mjuxf-r30Fb2KERSKq5GHXa_ubetiJLIhaXCE4x\"><strong>Daniel Paese<\/strong> &#8211; Creative Director <\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>PLUM &#8211; <em>StreetView<\/em><\/li><li>P.H.F. &#8211; <em>New Metal<\/em><\/li><li>Emily A. Sprague &#8211; <em>Hill, Flower, Fog<\/em><\/li><li>Terrace Martin, Robert Glasper, &amp; 9th Wonder &#8211; <em>Dinner Party<\/em><\/li><li>Dominique Dumont &#8211; <em>People On Sunday<\/em><\/li><li>Photay &#8211; <em>Waking Hours<\/em><\/li><li>Holy Wave &#8211; <em>Interloper<\/em><\/li><li>Blithe Field &#8211; <em>Hymn for Anyone<\/em><\/li><li>Slow Pulp &#8211; <em>Moveys<\/em><\/li><li>Deaton Chris Anthony &#8211; <em>BOOGY WOOGY<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"251\" src=\"https:\/\/lh6.googleusercontent.com\/wowsy0OwkyxYboXJByU4aWaLO25E5FNVXMzO1RQ63nw-pP3_TpARqacIk62CPlBiWaV6Op2v4RF0wrSh32jiu_gE_6GYZNbyEFc9syAAGSFmR91CosG_ZeqZ-KYLlB_FPI5eWG-C\"><strong>Griffin Lowry<\/strong> &#8211; Music Director<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>China Club &#8211;<em> Ming + Zhizhi<\/em><\/li><li>Kelly Lee Owens &#8211; <em>Inner Song<\/em><\/li><li>1 800 PAIN &#8211; <em>BEST HOUSE ON A BAD BLOCK<\/em><\/li><li>JPEGMAFIA &#8211; <em>EP!<\/em><\/li><li>Slauson Malone &#8211; <em>Vergangenheitsbew\u00e4ltigung (Crater Speak)<\/em><\/li><li>Eyedress &#8211; <em>Let\u2019s Skip to the Wedding<\/em><\/li><li>Sneaks &#8211; <em>Happy Birthday<\/em><\/li><li>Flung &#8211; <em>Shaky But My Hair Is Grown<\/em><\/li><li>Shygirl &#8211; <em>ALIAS<\/em><\/li><li>Adrianne Lenker &#8211; <em>songs<\/em><\/li><\/ol>\n\n\n\n<p>Kamaron Black, head musician of China Club, stated that &#8220;the primary narrative of <em><a href=\"https:\/\/chinaclub.bandcamp.com\">Ming + Zhizhi<\/a> <\/em>surrounds protest and the plight of Hong Kong and Black people in America through [his] perspective.&#8221; Music aside, the artistic intentionality behind this album wraps up some of the most important themes and events of 2020. The music collective experiments with layers and syncopation, mashing together synths and percussion to form some of the most interesting musical ideas I have ever heard. Providing a mixture of free-jazz and electronic, creating a cohesive landscape of sound, keeping the listener guessing the whole time, and being true to themselves, China Club&#8217;s <em>Ming + Zhizhi <\/em>feels like it is personally tailored for my musical interests and preferences. I could not recommend it enough. <\/p>\n\n\n\n<p>Griffin Lowry on <em>Ming + Zhizhi <\/em><\/p>\n\n\n\n<p>\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lh4.googleusercontent.com\/4lwTQTzYrEDe42Cc8G1e8i0XqDFo2DTZOGWdgzRLjRSiaMo4DQ3GTAnnyXrXQ5q24lpPD2vHuCDnQEsnOEFzFj7lKYNgAqw98w97yYSrKisYkwOQEampmd0z9HODixEOR8OuGlGl\" alt=\"\"\/><\/figure>\n\n\n\n<p><strong>Cami Koons<\/strong> &#8211; Content Director <\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>P&#8217;tit Belliveau &#8211; <em>Greatest Hits Vol. 1<\/em><\/li><li>Tennis &#8211; <em>Swimmer<\/em><\/li><li>Deradoorian &#8211; <em>Find the Sun<\/em><\/li><li>The Beths &#8211; <em>Jump Rope Gazer<\/em><\/li><li>Angel Olsen &#8211; <em>Whole New Mess<\/em><\/li><li>Ela Minus &#8211;<em> acts of rebellion<\/em><\/li><li>Andy Shauf &#8211; <em>The Neon Skyline<\/em><\/li><li>Shygirl &#8211; <em>ALIAS<\/em><\/li><li>Soccer Mommy &#8211; <em>color theory<\/em><\/li><li>Slow Pulp &#8211; <em>Moveys<\/em><\/li><\/ol>\n\n\n\n<p>Listen to the top 10 of 2020 on the Charts &amp; Adds Unwrapped podcast! You won&#8217;t be disappointed with this exciting episode.<\/p>\n\n\n<iframe src=\"https:\/\/widget.spreaker.com\/player?episode_id=42743410&amp;theme=light&amp;playlist=false&amp;playlist-continuous=false&amp;chapters-image=true&amp;episode_image_position=left&amp;hide-likes=false&amp;hide-comments=false&amp;hide-sharing=false&amp;hide-logo=false&amp;hide-download=true\" width=\"100%\" height=\"200px\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh5.googleusercontent.com\/7cpm7AU_pLXWxD2zRnBrnklzUZVjNR_vRZETugzCY53J6EkqUKxUENsRgFxo0GcuHAQaKKFkwqEclLwBRg4_-ndmW40v3zxMesRtTc5-epEs2Rzyhrau7_RlDtfvStHeSnhGrXfN\"><strong>John V. Wood<\/strong> &#8211; music staff member<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Taylor Swift &#8211; <em>folklore\/evermore<\/em><\/li><li>Run the Jewels &#8211; <em>RTJ4<\/em><\/li><li>Unleash the Archers &#8211; <em>Abyss<\/em><\/li><li>Phoebe Bridgers &#8211; <em>Punisher<\/em><\/li><li>Fiona Apple &#8211; <em>Fetch the Bolt Cutters<\/em><\/li><li>DevilDriver &#8211; <em>Dealing with Demons I<\/em><\/li><li>Fontaine\u2019s D.C. &#8211; <em>A Hero\u2019s Death<\/em><\/li><li>Hayley Williams &#8211; <em>Petals for Amor<\/em><\/li><li>Waxahatchee &#8211; <em>Saint Cloud<\/em><\/li><li>Bad Bunny &#8211; <em>YHLQMDLG<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"251\" src=\"https:\/\/lh6.googleusercontent.com\/eoofDkNJmHFeRvAr7ICkQtMXnGqmQqSnEUQtLbAmXlmoPXNYf_d_0qj8SrlKigRciFKcBpO1uQUY6eyEvkQVqI1iqziC08l5wig2trHIj8ig2wTjCQBJpB2ur7CgjE6P3NbxFFmB\"><strong>Josh Rubino<\/strong> &#8211; music staff member<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>HMLTD &#8211; <em>West of Eden<\/em><\/li><li>The Strokes &#8211; <em>The New Abnormal<\/em><\/li><li>Nubya Garcia &#8211; <em>SOURCE<\/em><\/li><li>Blu &amp; Exile &#8211; <em>Miles<\/em><\/li><li>R.A.P. Ferreira &#8211; <em>Purple Moonlight Pages<\/em><\/li><li>SPARKLE DIVISION &#8211; <em>To Feel Embraced<\/em><\/li><li>Phoebe Bridgers &#8211; <em>Punisher<\/em><\/li><li>Ka &#8211; <em>Descendants of Kain<\/em><\/li><li>Theo Alexander &#8211; <em>Animadversions<\/em><\/li><li>Jockstrap &#8211; <em>Wicked City<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh6.googleusercontent.com\/bGLyFyIFiTsZsS0KI4lpZEcaMAT_RMK17uDLAsUwoEmRlF9X63YlCxv5QEKLtNuMQGwFacnDEyA68w70e1ESgFt3mDpGIMHluG4fHSOLF41JCozTbZICBUbPonpWiP0qyYYEAkSS\"><strong>Tanner <\/strong><span style=\"font-weight: 600;\">Crouch<\/span> &#8211; music staff member <\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Waxahatchee &#8211; <em>Saint Cloud<\/em><\/li><li>Mac Miller &#8211;<em> Circles<\/em><\/li><li>Marcus King &#8211; <em>El Dorado<\/em><\/li><li>Adrianne Lenker &#8211; <em>songs<\/em><\/li><li>Lime Cordiale &#8211; <em>14 Steps to a Better You<\/em><\/li><li>Car Seat Headrest &#8211; <em>Making a Door Less Open<\/em><\/li><li>Childish Gambino &#8211; <em>3.15.20<\/em><\/li><li>Glass Animals &#8211; <em>Dreamland<\/em><\/li><li>Mt. Joy &#8211; <em>Rearrange Us<\/em><\/li><li>Yellow Days &#8211; <em>A Day in a Yellow Beat<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh4.googleusercontent.com\/yT535MzYbZM6S9GqwzIFj41gZk4HQAu2_FLk2W8iV9BYHvuUBTHA_G-uxdVA6V7loTy6t-0K38ijMqqM2uQXkT0jr7pLqfeiGl5pyzEWeWp5Yj2tbvgtamRspbnOYnaTI9XDHmfT\"><strong>Matthew Stratton<\/strong> &#8211; music staff member<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>HMLTD &#8211; <em>West of Eden<\/em><\/li><li>Backxwash &#8211; <em>God Has Nothing To Do With This Leave Him Out<\/em><\/li><li>Joshua Burnside &#8211; <em>Into the Depths of Hell<\/em><\/li><li>Phoebe Bridgers &#8211; <em>Punisher<\/em><\/li><li>Lianne La Havas &#8211; <em>Lianne La Havas<\/em><\/li><li>clipping. &#8211; <em>Visions of Bodies Being Burned<\/em><\/li><li>Code Orange &#8211; <em>Underneath<\/em><\/li><li>Rina Sawayama &#8211; <em>SAWAYAMA<\/em><\/li><li>Dan Deacon &#8211; <em>Mystic Familiar<\/em><\/li><li>Andy Shauf &#8211; <em>The Neon Skyline<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"251\" src=\"https:\/\/lh5.googleusercontent.com\/17MBE0-_pKtFAOqAfSm7INLwnI2a1oJUdz5rHxiYW-D8pwxE9oRjg0e_ivjtaXXE2CJO_O3otaXIVsdJRgmxTnzghFpw2FilI_cSp5zlV0dfi3SdZdPHJqwS_hEGZXtP_Zpo6i-Y\"><strong>Keller Welton<\/strong> &#8211; music staff member<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Leah Senior &#8211; <em>The Passing Scene<\/em><\/li><li>Black Pumas &#8211; <em>Black Pumas (Deluxe)<\/em><\/li><li>Bastards of Soul &#8211; <em>Spinnin\u2019<\/em><\/li><li>Michael Wilbur &#8211; <em>Fire Drill<\/em><\/li><li>Denzel Curry &amp; Kenny Beats &#8211;<em> UNLOCKED<\/em><\/li><li>Beans &#8211; <em>All Together Now<\/em><\/li><li>Traffik Island &#8211; <em>Sweet Kollecta\u2019s Peanut Butter Traffik Jam<\/em><\/li><li>Bananagun &#8211; <em>The True Story of Bananagun<\/em><\/li><li>Jeff Tweedy &#8211; <em>Love Is The King<\/em><\/li><li>Circles Around The Sun &#8211; <em>Circles Around the Sun<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh4.googleusercontent.com\/nZevpkYTZveGmu6uFr4VnnoxWG5X8FppehtdkSc8n9OZG9Q-S4Ej94h9wjE6_Hu4NRjzpZ5OCC_QL79pWCGYGyJ9Bao8bnfcyoPjrlIEs_l_zzuoLUGAVV55BeFpiDPk05NZFWeZ\"><strong>Henry Kraujalis<\/strong> &#8211; music staff member<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>The Flashbulb &#8211; <em>Our Simulacra<\/em><\/li><li>\u28ce\u2847\ua27a\u10da\u0f3d\u0b87\u2022\u031b)\u0f80\u25de \u0f0e\u0eb6 \u0f3d\u09e3\u09e2\u061e \u09e2\u061e\u0616 \ua27a\u10da &#8211; <em>ooo \u031f\u031e\u031d\u031c\u0319\u0318\u0317\u0316\u0489\u0335\u0334\u0328\u0327\u0322\u0321\u033c\u033b\u033a\u0339\u0333\u0332\u0331\u0330\u032f\u032e\u032d\u032c\u032b\u032a\u0329\u0326\u0325\u0324\u0323\u0320\u0488\u0348\u0347\u0349\u034d\u034e\u0353\u0354\u0355\u0356\u0359\u035a\u035c\u0362\u0362\u0362\u0362\u0362\u0362\u0362\u0362\u0362\u0362\u0362\u0362\u0362\u0362\u0345 o\u0285\u0361\u0361\u0361\u0361\u0361\u0361\u0361\u0361\u0361\u0361\u0361\u200b(\u200b \u061e\u09e2\u061e\u0619\u0616\u207d\u207e\u02dc\u0e31\u0e34\u0e35\u0e36\u0e37\u0e4c\u0e4e\u0e49\u0e47\u0e4b\u0e4a\u29810 \u031f\u031e\u031d\u031c\u0319\u0318\u0317\u0316\u0489\u0335\u0334\u0328\u0327\u0322\u0321\u033c\u033b\u033a\u0339\u0333\u0332\u0331\u0330\u032f\u032e\u032d\u032c\u032b\u032a\u0329\u0326\u0325\u0324\u0323\u0320\u0488\u0348\u0347\u0349\u034d\u034e\u0353\u0354\u0355\u0356\u0359\u035a\u035c\u0362\u0362\u0362\u0362\u0362\u0362\u0362\u0362\u0362\u0362\u0362\u0362\u0362\u0362\u0345 \u0c20\u0c40\u0a42\u0ce7\u0eb9\u0fc3\u0942\u0a42<\/em><\/li><li>Team Killer &#8211; <em>Morn\/Woops<\/em><\/li><li>Matmos &#8211; <em>The Consuming Flame: Open Exercises in Group Form<\/em><\/li><li>High Contrast &#8211; <em>Notes From The Underground<\/em><\/li><li>TCLB \u200e\u2013 <em>Shortwave Radio 9\u200b\/\u200b11\u200b\/\u200b2019 &#8211; 9\u200b\/\u200b12\u200b\/\u200b2019<\/em><\/li><li>Hum &#8211; <em>Inlet<\/em><\/li><li>Lauren Bousfield &#8211; <em>Palimpsest<\/em><\/li><li>Vegyn &#8211; <em>There\u2019s Nothing Left 2 Make U Stay<\/em><\/li><li>The Avalanches &#8211; <em>We Will Always Love You<\/em><\/li><\/ol>\n\n\n\n<p>An album I enjoyed this year was <em>Our Simulacra<\/em> by The Flashbulb because I played its title track on the radio and all my friends liked it. The Flashbulb creates post-modernized IDM and I would say the title track is one of my favorites of his. He makes tracks that are usually more on the cinematic side, the sort of things you wouldn\u2019t get tired of if you had to listen hypnagogically. The simulacrum is something that imitates \u201cThe Real\u201d but is not \u201cThe Real\u201d and, in the eyes of French philosopher Jean Baudrillard, it is \u201cThe Hyperreal.\u201d This album lies on the side of the hyperreal because the production quality that can be achieved with modern DAWs is disgusting. If IDM was pop, this would be Hyperpop. This album is the simulacrum in both name and disguise.<\/p>\n\n\n\n<p>Henry Kraujalis on <em>Our Simulacra<\/em><\/p>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh5.googleusercontent.com\/8TR_iZwfl-kYASgNkM4HAcOfk9q9uyY5gTRwCGvTr9a2EKF6_YAKP1MJ0xzKsvqAfbUCunBZbPAwUwxO8QTeHQP_vFOHXHHWfHhVb-xkGS8Ko0EGpu2tnsRxVzofyJHAQ0bsIJLL\"><strong>Alex Griffit<\/strong> &#8211; music staff member <\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Franc Moody &#8211; <em>Dream in Colour<\/em><\/li><li>Arin Ray &#8211; <em>Phases II<\/em><\/li><li>Leven Kali &#8211; <em>HIGHTIDE<\/em><\/li><li>Red Vox &#8211; <em>Realign<\/em><\/li><li>Omar Apollo &#8211; <em>Apolonio<\/em><\/li><li>Washed Out &#8211; <em>Purple Noon<\/em><\/li><li>Duett &#8211; <em>Outlines<\/em><\/li><li>Engelwood &#8211; <em>Yacht World<\/em><\/li><li>Tom Misch &amp; Yussef Dayes &#8211; <em>What Kinda Music<\/em><\/li><li>LeVirya &#8211; <em>Where the Crawfish Sing<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"251\" src=\"https:\/\/lh5.googleusercontent.com\/tQZri_U0IShNPPKERZTVVqMDyQbMGjP9GPvXQHyY3SK1sqzRbLAmEHAHBX-eYmvZhas85wCIqvhfrRfhM70Uck1YnY_4MmEWO4kuJJPl72uCOsQhaeWh5-NjCkCfS71mFya8KzAb\"><strong>Fernando Claudio-Lopez<\/strong> &#8211; music staff member<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Boldy James &amp; Sterling Moles &#8211; <em>Manger on McNichols<\/em><\/li><li>Jessie Ware &#8211; <em>What\u2019s Your Pleasure?<\/em><\/li><li>Jay Electronica &#8211; <em>A Written Testimony<\/em><\/li><li>Mamaleek &#8211; <em>Come &amp; See<\/em><\/li><li>Mac Miller &#8211; <em>Circles<\/em><\/li><li>Dua Lipa &#8211; <em>Future Nostalgia<\/em><\/li><li>Vladislav Delay &#8211; <em>Rakka<\/em><\/li><li>Run the Jewels &#8211; <em>RTJ4<\/em><\/li><li>Gunna &#8211; <em>WUNNA<\/em><\/li><li>Lil Baby &#8211; <em>My Turn (Deluxe)<\/em><\/li><\/ol>\n\n\n\n<p>Boldy James pushes the boundaries of coke rap with despondent and deadpan detailings of his struggles to survive in the trenches of Detroit alongside Sterling Toles&#8217; daring, and incredibly engaging, jazz instrumentations. Swirling saxophones, grim imagery, and stellar storytelling all across <em>Manger on McNichols<\/em> make for a must-listen album experience, placing itself in the upper echelons of East Coast hip-hop.<\/p>\n\n\n\n<p>Fernando Claudio-Lopez on <em>Manger on McNichols<\/em><\/p>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh5.googleusercontent.com\/QViP-qAzzH0ub-DMmTRvKlrRKRQXeyYbo79OUNFJb0qsKOV-at2Rog8iKVTjLAsLHGZucuGU9Qhkn7KGfZZdB5s-AwQv5s0D2L8cYw615D2C0tLexxT0aUjp9zf9rQUQoAOJtRKU\"><strong>Ellyn Mayo<\/strong> &#8211; content staff member<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Pinegrove &#8211; <em>Marigold<\/em><\/li><li>Worst Party Ever &#8211; <em>here, online<\/em><\/li><li>Cigarettes for Breakfast &#8211; <em>Aphantasia<\/em><\/li><li>Moses Sumney &#8211; <em>gr\u00e6<\/em><\/li><li>Fenne Lily &#8211; <em>BREACH<\/em><\/li><li>AJJ &#8211; <em>Good Luck Everybody<\/em><\/li><li>Nova Twins &#8211; <em>Who Are The Girls?<\/em><\/li><li>PUP &#8211; <em>This Place Sucks Ass<\/em><\/li><li>Luluc &#8211; <em>Dreamboat<\/em><\/li><li>Stone Temple Pilots &#8211; <em>Perdida<\/em><\/li><\/ol>\n\n\n\n<p>Evan Stephens Hall does it again, surprising his fans with an 11-song album. <em>Marigold<\/em> is filled with warmth, a touch of sadness, and a whole lot of reflection. It contrasts previous albums such as Everything So Far, which contains energetic and angry numbers.<em> Marigold<\/em> speaks to the process of healing yourself, and I couldn\u2019t be happier with how these unique songs blend together in one seamless and magical album.<\/p>\n\n\n\n<p>Ellyn Mayo on <em>Marigold<\/em><\/p>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh3.googleusercontent.com\/JEM_GPv4wHmseTcay1zyWdCz7jU-ycL3EwmcVHBvG7tErXvP4adbuZSPu_VWTbkmPGxDCy_7seiqjtj5hHtj4NqMNQXYC05v_gCOg1NjQKtR-MzXRk_gWze5lHC4MhPQwr1Bg1V-\"><strong>Cate Manning<\/strong> &#8211; content staff member<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Sorry &#8211; <em>925<\/em><\/li><li>SAULT &#8211; <em>Untitled (Black Is)<\/em><\/li><li>Crack Cloud &#8211; <em>Pain Olympics<\/em><\/li><li>Phoebe Bridgers &#8211;<em> Punisher<\/em><\/li><li>Porridge Radio &#8211; <em>Every Bad<\/em><\/li><li>Rina Sawayama &#8211;<em> SAWAYAMA<\/em><\/li><li>Protomartyr &#8211; <em>Ultimate Success Today<\/em><\/li><li>Working Men\u2019s Club &#8211; <em>Working Men\u2019s Club<\/em><\/li><li>Shopping &#8211; <em>All Or Nothing<\/em><\/li><li>Fiona Apple &#8211; <em>Fetch the Bolt Cutters<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh5.googleusercontent.com\/H_Now9t6t9sZGi8Xjp04s2C5B7WKhsUqpSfmnPTZCuV6Is1ArAcJJequpLY-3K41GVHMAB2xm1Lyp5QNtNXoxqkYOiA5nkIuJpcB52WIMhY5Gx6M8_c4-L8Y3JHLFh4CAL-idLK3\"><strong>Meriel Salisbury<\/strong> &#8211; content staff member<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Phoebe Bridgers &#8211; <em>Punisher<\/em><\/li><li>Taylor Swift &#8211; <em>folklore<\/em><\/li><li>Tennis &#8211; <em>Swimmer<\/em><\/li><li>HAIM &#8211; <em>Women In Music Pt. III<\/em><\/li><li>Soccer Mommy &#8211; <em>color theory<\/em><\/li><li>Adrianne Lenker &#8211; <em>songs\/instrumentals<\/em><\/li><li>The Strokes &#8211; <em>The New Abnormal<\/em><\/li><li>Sylvan Esso &#8211; <em>Free Love<\/em><\/li><li>Fenne Lily &#8211; <em>BREACH<\/em><\/li><li>Glass Animals &#8211; <em>Dreamland<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh5.googleusercontent.com\/gz0h_ejA9DMNWbKGTt3iP4TDGnSygQpWiRll6g6XCiIa7A2Zv13gg9jqdvov075hWx-SNUGX4u6eQESha1xrMYOI_1WiUU1zcgy0wfKe3AgtDPRUVbNtqmI494nz8AZqLYL9PnBm\"><strong>Max Indiveri<\/strong> &#8211; multimedia staff member<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Theo Katzman &#8211; <em>Modern Johnny Sings: Songs in the Age of Vibe<\/em><\/li><li>May Erlewine &amp; the Woody Goss Band &#8211; <em>Anyway<\/em><\/li><li>Vulfpeck &#8211; <em>The Joy of Music, The Job of Real Estate<\/em><\/li><li>Mac Miller &#8211; <em>Circles<\/em><\/li><li>Black Pumas &#8211; <em>Black Pumas (Deluxe)<\/em><\/li><li>Dawes &#8211; <em>Good Luck With Whatever<\/em><\/li><li>Woody and Jeremy &#8211; <em>Strange Satisfaction<\/em><\/li><li>Taylor Swift &#8211; <em>folklore<\/em><\/li><li>Friz Hutchinson &#8211; <em>Wide Wild Acres<\/em><\/li><li>Old News &#8211; <em>Self-Acceptance Speech<\/em><\/li><\/ol>\n\n\n\n<p>Mixing sardonic wit with complex chord changes that would make Charlie Parker proud, Theo Katzman\u2019s, <em>Modern Johnny Sings <\/em>is John Mayer for the jazz nerd, and is anything but easy listening music. Whether it&#8217;s the track \u201cWhat Did You Mean (When You Said Love)\u201d confronting one of the most ambiguous hurdles in romantic relationships, \u201cLike a Woman Scorned\u201d tackling questions of masculinity and its influence in global catastrophes, or \u201cThe Death of Us\u201d spinning a tale of toxic love inspired by bad falafel, Theo\u2019s tracks are insightful, and impart meaning in the same way tall tales inspire children to behave. The Vulfpeck frontman also brings a wealth of groove to these tunes with his backing band including THE Joe dart from the aforementioned supergroup. The tremendous drum\/bass lock and groove that flows throughout the record makes it a must listen, but it\u2019s Theo\u2019s lyrics that make it my favorite record of 2020 and one that will stand the test of time for ages to come.<\/p>\n\n\n\n<p>Max Indiveri on <em>Modern Johnny Sings<\/em> <em>: Songs in the Age of Vibe<\/em><\/p>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh6.googleusercontent.com\/_JB6ERtC3V8VnTve4tS6ln5oL8tEA_xmZ3Rvn_xlEzkRWQcFIZrNIIsGAQqJ9pkiuUhhnxSd32YEViEQkYS8blF72uCYauB_KRb7iCf95H3p5pwi8I5Y6iD8PRasaQdV1BBvd5FZ\"><strong>Cooper Hart<\/strong> &#8211; music staff member<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Freddie Gibbs &amp; The Alchemist &#8211; <em>Alfredo<\/em><\/li><li>Joji &#8211; <em>Nectar<\/em><\/li><li>Benny The Butcher &#8211; <em>Burden of Proof<\/em><\/li><li>Lil Uzi Vert &#8211; <em>Eternal Atake<\/em><\/li><li>Childish Gambino &#8211; <em>3.15.20<\/em><\/li><li>Denzel Curry &amp; Kenny Beats &#8211; <em>UNLOCKED<\/em><\/li><li>21 Savage &amp; Metro Boomin &#8211; <em>SAVAGE MODE II<\/em><\/li><li>Kota the Friend &#8211; <em>EVERYTHING<\/em><\/li><li>Action Bronson &#8211; <em>Only For Dolphins<\/em><\/li><li>Lil Yachty &#8211; <em>Lil Boat 3<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh4.googleusercontent.com\/1I7k8hY8pE-f-ZPAVuxQTRDXWbmWwCrKi57owHdWvGtxdwqrf84x99A1ZkSjErdWwq_o_p2whAEVxjco6DMIIg2F2Eou_UZp_Qbif8Gxm88OL-brwhAuIeHK5-alBWVkwlZ4T91n\"><strong>Nick Simpson<\/strong> &#8211; DJ<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>brakence &#8211; <em>punk2<\/em><\/li><li>Taylor Swift &#8211; <em>folklore<\/em><\/li><li>The 1975 &#8211; <em>Notes On A Conditional Form<\/em><\/li><li>Chromeo &#8211; <em>Quarantine Casanova<\/em><\/li><li>The Chicks &#8211; <em>Gaslighter<\/em><\/li><li>Carly Rae Jepson &#8211; <em>Dedicated Side B<\/em><\/li><li>Waxahatchee &#8211; <em>Saint Cloud<\/em><\/li><li>AJJ &#8211; <em>Good Luck Everybody<\/em><\/li><li>Jeremy Zucker &#8211; <em>love is not dying<\/em><\/li><li>Emily Montes &#8211; <em>Emily Montes<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh6.googleusercontent.com\/JYZPRFmnaK58InnmSYrMCoRzr0wUIXLyIxGD0F8fgR_LUeQUkFVR6a8U-IO2r_xK5MIdfu5zScXP3Wz_kc-R_F6-CzYFp-xAvuNjnZQwRjYbHRELzMP-DckWNnvv99z5Qrscci8p\"><strong>Margot Lockwood<\/strong> &#8211; DJ<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Peach Pit &#8211; <em>You and Your Friends<\/em><\/li><li>Glass Animals &#8211; <em>Dreamland<\/em><\/li><li>L&#8217;Imp\u00e9ratrice &#8211; <em>Fou \/ Exit<\/em><\/li><li>Thundercat &#8211; <em>It Is What It Is<\/em><\/li><li>Kid Francescoli &#8211; <em>Lovers<\/em><\/li><li>Torres &#8211; <em>Silver Tongue<\/em><\/li><li>Easy Life &#8211; <em>Junk Food<\/em><\/li><li>Orla Garland &#8211; <em>Freckle Season<\/em><\/li><li>Babehoven &#8211; <em>Demonstrating Visible Difference in Height<\/em><\/li><li>POLI\u00c7A &#8211; <em>When We Stay Alive<\/em><\/li><\/ol>\n\n\n\n<p><img decoding=\"async\" width=\"624\" height=\"249\" src=\"https:\/\/lh5.googleusercontent.com\/HAIReHmXTEq6UOpBkK3zt_fZ3IbD0en1-_5dkeNRjbJjne7YVeTuUWqdl_xiuox4pL4nD_D9d7jHGoJv21RAFPn_1ZCHAufD6RH-7bbiNkFwdnpMF1S9TsgzAVgY7Xqgd0iJYa0Q\"><strong>Mazzy Martinez<\/strong> &#8211; DJ<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Yves Tumor &#8211; <em>Heaven To A Tortured Mind<\/em><\/li><li>Jessie Ware &#8211; <em>What\u2019s Your Pleasure?<\/em><\/li><li>Angel Olsen &#8211; <em>Whole New Mess<\/em><\/li><li>BbyMutha &#8211; <em>Muthaland<\/em><\/li><li>Flo Milli &#8211; <em>Ho, why is you here ?<\/em><\/li><li>Laura Marling &#8211; <em>Song For Our Daughter<\/em><\/li><li>Westside Gunn &#8211; <em>Pray for Paris<\/em><\/li><li>The Avalanches &#8211; <em>We Will Always Love You<\/em><\/li><li>King Krule &#8211; <em>Man Alive!<\/em><\/li><li>R\u00f3is\u00edn Murphy &#8211; <em>R\u00f3is\u00edn Machine<\/em><\/li><\/ol>\n\n\n\n<p>Thanks for the great tunes 2020! We look forward to what the music gods will bless us with in 2021.<\/p>\n\n\n\n<p><em>Copy and editing credits to Deegan Poores and Cami Koons <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What did KJHK staff and DJ&#8217;s find to be the best of 2020? <\/p>\n","protected":false},"author":4332,"featured_media":76819,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,3268],"tags":[8553,8617,8615],"class_list":["post-76813","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured-on-kjhk","category-music-articles","tag-8553","tag-alternative-music","tag-top10"],"jetpack_featured_media_url":"https:\/\/kjhk.org\/web\/wp-content\/uploads\/2021\/01\/topsters2.jpg","_links":{"self":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/76813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/users\/4332"}],"replies":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/comments?post=76813"}],"version-history":[{"count":5,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/76813\/revisions"}],"predecessor-version":[{"id":76820,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/posts\/76813\/revisions\/76820"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media\/76819"}],"wp:attachment":[{"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/media?parent=76813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/categories?post=76813"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjhk.org\/web\/wp-json\/wp\/v2\/tags?post=76813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}