Though perhaps too consistent in its vision at times, SALES' first LP is an excellent debut that over 15 tracks traverses moods and themes of love and sorrow with warm afternoon guitars and an attentive beat.
After Madisen and Ruth Ward had frequented Grimey's during recording sessions, an opportunity arose for a different release, and the Ward's second album.
The 20 years that Johnson has molded and explored the Fruit Bats are coming together in a cumulative, sunny country rock record with waves of soul, grace, and an open-hearted nature.
In what bassist and vocalist Les Claypool calls an approach to a psychedelic space rock record, this album is an alluring selection of the vintage psych rock influences of Sean Lennon and the punchy, warped funk of Primus.
While this album may be a solid 6/10, there is a wealth of post-rock, hardcore and shoegaze bands out there that have long since tread the ground Nothing is exploring.
The Past is not a Flood is Jordan Geiger's nightcap on the sentient and tender journey of Hospital Ships, one marked by emotional intimacy and stunningly handsome instrumentals.
Deakin gracefully steps outside his psychedelic bubble within Animal Collective into an open range of influences new to the Baltimore quartet's faithful.
Bibio's folktronica sound in A Mineral Love is spiked with groove, disco and funk. The synth is heavy, vocals dreamy, it's a feel good album for these spring days.